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发表于 2009-7-24 15:02:05
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CY: I think looking at this whole industry and the way things have been moving forward now and it’s more about the name value as you like to call it the bonafide musical talent. Is the music industry crumbling? There’s talents out there that are going to do well always, but is it crumbling in a sense that we don’t have these huge identities, these larger than life figures anymore? It’s just kind of one act after another.
CR: “I feel like because of the newfound independence that the internet has given us all. I think we’re in kind of like in a whole new revamping stage.”
CY: A transitional stage.
CR: “Well, I always say it’s a transitional stage sure. But when I say revamping or I would say an incubating stage because right now we’re about to witness the rebirth of real music. That’s because there was a time when you can have an Earth, Wind, and Fire like or Michael Jackson like Off the Wall sounding record that someone worked their ass off for independently and it sounds good. A record company wouldn’t even give it the chance because if it didn’t sound like Chris Brown or Rihanna that’s not what they were looking for.
Now independently when that becomes the most played thing on the internet and people have no choice but to role with it, record companies start to get behind it. We’ll be back to people not being pigeon held or feeling like they have to follow suit or what’s going on just going on just to get a deal.”
CY: Chris, your thoughts?
CA: “It’s been a longer transition than most people would expect. The industry is not dying. And if you look at certain aspects of it, Live Nation is having their biggest years now with the touring industry with the 360 deals it’s obviously different for artists, labels, etc. The labels, you used to have creative people working under the executives and labels, but now you have the executives maintaining their salaries by making sure they have no staff. I went to see a group tonight in New York, a kid that’s showing up all over the place. Every label was there. It was all low level people with no signing power. It’s different. They can’t sign bands. They can sign one band at a time.
As for the internet and stuff like that, I have an opinion about the fact that all the genius that we all profess to myself, Cory, and everyone that we worked with five to six years ago this industry suddenly decided that I liken to it like this. Trying to sell the public – remember the car the Hugo? ”
CY: Yes.
CR: “Yea.”
CA: “Sitting there saying, ‘You know what? We’ve come up with this great car. It’s a Hugo.’ And people are like, oh wait, I’ve heard there is this really cool car out of Germany called a Mercedes, no…no…no, you want to have the Hugo. But wait, I hear BMW makes a pretty good car, I hear Chevrolet, Escalade is really hot, whatever. No…no….no, you want the Hugo.
The industry that we worked in that came up with all these huge artists Michael included, the U2s, the Bruce Springsteen's, the Dylans suddenly decided, you know what? We’re gonna give you Lindsay Lohan. We’re gonna give you Paris Hilton. We’re gonna give you Kelly Osbourne. And the public sat there and said, ‘This is the best you have to offer? I’m not paying $17.99 for this. To hell with this, I’ll steal one song off the internet.
And the labels were slow to come to form realizing it was changing and now they’re getting screwed because of it. Fans are doing it independently Chris. They’re doing it differently. If you notice the live concert situation, the records that sell, if you look at the top 40 SoundScan you’ll probably see five country artists, five Disney artists, two or three older artists, live people listen to Bruce Springsteen, U2. Why do you think quote on quote country Keith Urban is so popular? It’s not that people like country and Keith Urban is definitely not country, it’s a singer-songwriter. They want to hear songs. Talking about Michael, he made songs. The bands that last for a record, they don’t have songs. They don’t have staying power.
When you’re 21 years old, I always ask people, name five artists under the age of 20 that were truly geniuses? And they sit there and ponder everything. I sit there and say ok, I’ll give you a few, Stevie Wonder, Prince, Michael Jackson, a Mariah Carey that was truly legitimate at that time in her career and there is one or two others, but you see where I’m going with this. Now you have every band out that is 20 year olds and they can’t play.”
CR: “Being the producer, what you find is, see, I grew up in my household when I was a kid, the Isley Brothers would be in my living room rehearsing with my dad. My dad was a producer as well. I grew up and I couldn’t wait to get in the business and kind of do it that way. And then all of a sudden I got in the business and I found well Cory, that’s kinda like too much. People don’t want to hear the live band thing and the live instrument thing. So all of a sudden I had to teach myself, force myself how to make music based on eight bar loops and write things repeat around, repetition.”
CY: You felt like you were dumbing yourself down.
CR: “I had to dumb myself because when I first started producing, I was producing strictly to make some money to take care of my family. So I had to follow suit. I was never ever…ever happy. I got very happy when I got the chance to work with the Mariah Carey or a Michael Jackson or someone like that because I knew I could be me. There’s been artists that will remain nameless that it’s like I’ve had to just sit there and just do it basically because it’s for a check and not for love.”
CA: “You also grew up surrounded by monster players.”
CR: “Oh absolutely.”
CA: “Chris, Cory never mentions this and he’ll never mention it, one of the things I’m most impressed by musically is I’ll go to his house and he’ll sit at the piano without the musical training and I came from the classical training. Cory can sit down and play the whole Stevie Wonder book note for note.”
CR: “But you know what’s crazy? When I was a kid, I remember seeing the guy walk down the street like with a base guitar on his back or I remember seeing a guy carrying like in his car like he’s got his drums or this and I was fascinated like wow! This guy’s a musician. Now, a guy walks out with a base on his back, walk in studio sessions and someone will laugh at him. Like, where the hell you going to? What is this? A parade? What are you doing? They don’t get it. A horn player, like they don’t exist anymore.”
CA: “Oh, you can’t make a living.”
CR: “Yeah. I feel like now that the internet is what it is. It’s ok to make those records because now they’ll get past those gates that where people go, oh, I’m sorry. We don’t allow that music here. Now it’s gonna go past that right over their heads and be out there and all of a sudden you’re gonna start hearing music that sounds so organic, so good, so stimulating that it’s going to go right back where it needs to be.” |
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