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(转载)Glenda 录音带的完整听写记录及音频

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发表于 2010-5-2 04:25:47 | 显示全部楼层 |阅读模式
本帖最后由 alextoalex 于 2010-5-5 09:47 编辑

看到大家讨论这个讨论得挺热烈,但是国内没有该录音带的完整记录,这个博客(http://lacienegasmiled.wordpress.com)上据称有完整的,转过来,供大家争论用。
音频下载:  http://www.megaupload.com/?d=C7Y89WB9
            http://www.rayfile.com/zh-cn/fil ... f-89f0-0015c55db73d


博主的话:The background story, as far as I’ve heard: Hansnews, the TMZ of their day, released audio conversations between Michael and a woman called Glenda and her family on March 29th, 2005, during Michael’s court trial. From what I’ve heard Glenda’s husband at the time, Sam, was the one responsible for taping and releasing these conversations.

Other stuff: the original transcriber of these tapes seemed to intentionally omit several details, one being Sam’s name which they turned into “Scott” and the other being specific details mentioned here. Possibly to help protect his identity and hide several other things? I’m not sure.

I = Inaudible, stuff that’s just too muffled to hear properly
[] = The stuff in brackets are the things that I’m not 100% sure was said

Retranscribed with Angie on the LSA boards

翻译:就我所知的背景故事:2005年3月25日,在Michael的庭审期间,Hansnews, 相当于今天的TMZ,发布了Michael Jackson和一位叫Glenda的女子间的一系列电话对话的录音。就我听说的,Glenda当时的丈夫Sam是进行录音并发布这些谈话的那个人。

其他:这些录音带的原始版本看上去是有意删掉了一些细节,一个是Sam的名字,他们将此转变成“Scott”,另外一个特别的细节也在此提到了,大概是为了隐藏他的身份及其他一些事情?我不确定。

I=听不清楚,那些太模糊无法清楚地听明白的。
[]=方括号里的是我不能100%确定的对话。

与LSA论坛的Angie一起重新听写。
=======================================================
博主还提到:It seems as though Mike stopped talking to Glenda and her family in the fall of 1992, maybe he figured out he was being taped? I’ve heard Glenda was very upset about them being leaked. Rumour is that Sam was the one who sold the tapes but I honestly don’t know. People have tried tracking Glenda down and she’s reportedly said, “let sleeping dogs lay.”
看上去Mike自1992年秋天后停止了和Glenda及她家人的交谈,也许他发现自己被录音了。我听说Glenda对这些被泄露出去感到非常不安,传言说是Sam录制了这些带子,但是说实话我不知道。有人找到了Glenda,据称她说,”请不要惹是生非了。“

===================================================


Alex注:音频中有1-1,1-2,1-3,1-4,2-1,2-2,2-3,2-4,2-5,3-1,3-2,3-3,4-1,4-2,4-3,4-4,4-5,4-6。该博主给出了1-4至4-6的听写记录,22楼nitrogen补上了1-1至1-3的听写记录。nitrogen还在24-28楼提供了6-1和6-2的内容(也就是有关著名的”S“的那一部分),不过这两段我找了一圈MJ的各个论坛都没有发现相对应的音频,而且该博主好像也对那两段有疑问,所以这两段真假与否大家自己决定吧。


=========================================================
nitrogen提到:
国外论坛讨论此话题
http://www.mjjboard.com/king-pop ... -s-love-affair.html
http://www.mjjboard.com/king-pop ... versation-92-a.html
http://www.mjfanclub.net/mjforum373/showthread.php?t=9409

=====================================================
Alex注:我是近期没有计划翻译了,不过也许有勤劳的TX想试试,跟在此贴后面或重新开一贴上翻译稿都没意见。发出来就是给大家的争论提供一些依据了。

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 楼主| 发表于 2010-5-2 04:27:43 | 显示全部楼层
本帖最后由 alextoalex 于 2010-5-2 05:11 编辑

Tape: 1-4, rough guesstimate of date: June 27th 1992, Munich, Germany, state date of the Dangerous World Tour

Arriving in Munich:
242tsb7.jpg
Glenda: Hello?
Michael: Hey!
Glenda: Hey.
Michael: How you doing?
Glenda: Fine, how are you?
Michael: Oh, I’m doing very good.
Glenda: You sound real good.
Michael: Yeah. I’m having a great time.
Glenda: That’s wonderful. I bet you’re excited, huh?
Michael: Yeah I am, tonight’s the show!
Glenda: Are you all ready?
Michael: Yeah. I know, you know, I know it’s gonna be rough, we’re starting out a little rocky [but it’s starting to come along?]
Glenda: I can’t even imagine the excitement you must be feeling.
Michael: Girl, you know and, it’s, I’m still in America time, you know?
Glenda: Yeah?
Michael: But I’ve been so tired, we passed soundchecks today. It’s like God, I have a show to do!
Glenda: (laughs)
Michael: How was your trip?
Glenda: Oh it was just fine, it was very nice. So you, um- how long will the show be, how long does it last?
Michael: The show?
G: Yea.
M: Tonight?
Glenda: Yeah.
Michael: Well, a couple hours, a little longer than that you know. We’ve got a big crowd. It’s gonna have pyrotechnics and it’s gonna have… it’s gonna have a lot of, you know, stuff like that ’cause I looove that kind of stuff. And it’s gonna have illusions and it’s really exciting, I can’t wait.
Glenda: (chuckling while he talks)
Michael: I love it, I never wanna come home.
Glenda: (chuckle)
Michael: And you know I’m gonna feel [accepted? Exactly like that?] on stage. Especially when [all that (I) all over the place] Oh God, I love it! I love this. Yeah.
Glenda: That’s wonderful.
Michael: So excited
Glenda: I can hear it in your voice
Michael: I’m taking all (I) I’m doing my vocal exercises and stuff, [going to bed] and (I)
Glenda: Is your voice in top form?
Michael: Yeah!
Glenda: (clears throat) Are you feeling okay?
Michael: I’m feeling great. Feeling so good. You know, I was kinda a little bit skeptical when this (inaudible) but now that I’m here I can’t wait, I can’t wait!
Glenda: (laughter)
Michael: Can’t wait. I went, we went to this hospital, and we saw a lot of — we weren’t we weren’t– I been back and forth already [to Germany?] And we, um, were on this helicopter ride and it’s beautiful in this country. I mean there’s a lot of green, blue skies, lot of green. (I) And we saw this castle, it’s this Bevaria castle, you know?
G: uhuh
Michael: And it’s called Noo—Noo Sheee..sjdskdjaskj.. wooonnnn…. sheee… cheeee (trying to pronounce it, haha!) (He’s talking about Neuschwanstein Castle, it was the inspiration for the Sleeping Beauty castle)
anxxzo.jpg
Glenda: Yeah… Yeah.
Michael: And, and… yeah.
Michael and Glenda: (chuckle)
Michael: And King Ludwig used to rule there, he used to live there. They say he was a real loony toons. Like they said he was really strange, yeah
Glenda: Hold on. Hey! Go ahead. (another line? Someone says Hello in the background)
Michael: (mumble) I heard: (I) you hollering?
Glenda: come and find out (Glenda is talking to a person in the room again)
Michael: What?
Glenda: I’m talking to Kevin right now. He want’s to say hello to you. He hasn’t talked to you in awhile. (silence). Is that alright?
Michael: Yeah!
Glenda: Hold on
Michael: Michael is talking to someone in the room)..How you do that? (laughing)..I was gonna say “Bill, what are you talking about?”
Glenda: You can keep talking. He’s not here yet. (talking about Kevin, I guess).
Michael: Oh. But I get excited. I’m looking at my schedule and stuff. We’re gonna go to Berlin for (I), Cologne, that’s gotta be (I) and this place called Phantasialand.
29enmg2.jpg
Glenda: Really?
Michael: We’re gonna go to the zoo in Frankfurt. And we’re gonna go to the (inaudible). And I was hoping, I don’t know, but I don’t know what [days?].
Glenda: (laugh)
Michael: (presumably to someone in the background) I did, I really did!
G: Hello?
M: Hi.
G: Hi.
M: I’m gonna (I)
G: I don’t know what that means
M: that means, giggles, (I)
G: uh huh
M: what was the next (I)
M: I said hello and (I) (both laugh) Yea, [Schwarzee? Foreign word] I like that
G: What’s that mean again?
M: It means, [Schwarzee word] means (I anyone catch that?) Schwarzee (I)
G: oh, that sounds nice.
M: we have this MTV here but it’s 2 years old
G: oh really? Oh
M: yeah, it’s really weird though. Have you ever been to [London?]
G: Yeah
M: They’re like, you know, as far as LA is concerned they’re like 2 years behind
G: No
M: Yea, they’re 2 years ahead of us. And even in Germany, they’re, it’s different. The girls are (I)
G: Really?
M: yeah they are.
G: When we went to South Africa it was like, our clothing was about 3 years ahead of y’know the United States. Then we came back our clothing was ahead of everybody. Then they caught up about 3 years later.
M: Isn’t that weird?
G: yeah it was (laughs) it was weird.
M: Have you had a nice time (I)?
G: yeah, hello? (laughs)
M: good, (I) gutt?
G: it was very nice, very relaxing (romantic?)
M: Really?
G: laughs
M: did you see the card that I sent to Sam?
Glenda: Yes, I did. It was very sweet. He liked it.
Michael: (Inaudible) [He was good to me?]
Glenda: Well yeah, you haven’t talked to him in ages. He’s been gone a lot, though. He’s gone every night.
Michael: (I) I do, I love [being gone from the states] laughs
Glenda: Really?
M:Yeah I do, laughs. (I) You know what’s really weird? I was just telling (I static goes up)
Glenda: Okay.
Michael: Today and yesterday, like on the top of your head, like on the right side,
G: Yeah
M: been getting a really sharp pain and they go away. And it was a really, really sharp pain.
Glenda: Have you ever had those before?
Michael: No. No, I haven’t… I mean, I had them earlier, tonight and then [like yesterday]
Glenda: Maybe you’re just tired
Michael: I never had that before.
G: Never?
M: No, no. But then they go away. But they’re real sharp pains, just like on the very top of my head on the right side.
Glenda: Oh.
Glenda and Michael: (Inaudible, ich?)haven’t had it, haven’t had it
Glenda: Are you taking your medicine?
Michael: Yeah.
Glenda: Are you eating?
Michael: …Yeah.
Glenda: (laugh)
Michael: We have this thing, it’s a (inaudible). We had them in London (he pronounces it so British, it’s cute), I didn’t, I didn’t taste it- EAGHH. Actually, when I heard it, I heard about it a long time ago. Did you see the movie King Ralph?
Glenda: No.
Michael: There was this pastry out in London in stuff, and it’s called a Spotted *dick*.
Michael and Glenda: (both laughing)
Michael: It looks good.
Glenda: Sounds terrible! (laughs)
M: (In British accent repeats) “would you like a spotted dick?”
G: Laughing..that’s funny
M: Laughing..”Would you like a spotty dick”?
G: It sounds interesting.
M: I don’t think so.
M & G laughing

This is the English pastry “spotted dick”:
xgilpy.jpg
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 楼主| 发表于 2010-5-2 04:28:34 | 显示全部楼层
本帖最后由 alextoalex 于 2010-5-2 04:37 编辑

Glenda Transcript 2-1


I’m not positive, but I think this is before he leaves on the Dangerous tour…probably 1992 Spring or early summer

G: Because I didn’t know what I had done.
M: She would get (i) with you?
G: Angry at me.
M: Oh
G: Because I didn’t know what I had done and I would just stare at her, I would just look at her without emotion because she was getting angry…and getting in my face, and I was thinking, “I am not going to let you know how much you are upsetting me right now.” So, “I’m not going to show you an emotion, I’m not going to show you what you’re doing to me, (I’m not gonna cry)” And so after she would leave, and then I would go in my room and close the door and then I would have a reaction. I was trying to analyze why I don’t react. And I think that’s the reason, because I learned a long time ago – Don’t Show Reaction.
M: Don’t show emotions and don’t show feelings.
G: Right. Don’t let that person see your reaction. Don’t let that person see your emotions, see what they’re doing to you…analyzing and….(i)

(CUT IN TAPE)

M: So
G: Probably, cause, you know, I was thinking um…. Remember when um, I remember one night you called me real late.
M: Um huh
G: you were upset. I think you were crying. I know you were crying on the phone because you didn’t want me to read that book that the Tarroborelli had written.
M: yeh
G: I didn’t like that book either, and you didn’t want me to read it…(I) cause one night you called up and you were all upset, you didn’t want me to read it.
M: Right
G: Were you just waiting to get to know me better before you encouraged me to read that book?
M: I didn’t think you would understand me and I didn’t think you would have waited for that
G: Really?
M: Then I got to know you better and I thought you’d understand (whispering) it’s about (I)
G: …..not a word.
M: Because it was like..we just had to know each other and um, I didn’t want you to know some SHIT. And I thought I , you know, I was real close, like you’re a very good friend…that close. And I didn’t want to lose that. I didn’t want you to misunderstand the book. Then I felt like “we got so close..it’s ok.”
G: So that’s why you said it was ok I read the book?
M: Yeh..(whispering)..i t involved (I). A lot of things have happened (i) book.. Well. See..you don’t understand, you can’t empathize because you haven’t been there.
G: No, That’s true.
M: But, like……um we can go over this for days and its not even

CUT IN TAPE

G: I just wanted you to know that um, I sensed your loneliness and I had sensed that you had somebody that didn’t want anything [from you] that you could at least talk to.
M: Somebody brave who accepted me no matter (cut in tape)……life. When I was a child, I wasn’t allowed to go to people’s houses like..
G: Never?
M: You read that in Toya’s book and Tarraborellis book. We could not socialize with other children (cut in tape)…but now it’s like a setback.

(CUT IN TAPE)

M: Tell me! Which video ..Black or White, Remember the Time, In the Closet and Bad…Which one do you like the best?
G: I told you that the other night!
M: Which one?
G: Huh?
M: Which one?
G: Which one?
M: yeh
G: (Cut in Tape,) then I like Remember the Time and then I like Jam.
M: You like living “In the Closet” best (laughing)
G: Yeh..Which one do you like?
M: I like Remember the Time. I like Jam..It was real fun doing it with Michael..I liked Remember the Time.. but I had the most fun doing Jam out of all of them.
G: You looked like you were having fun.
M: Yeh, I had fun with Naomi, but, I (whisper) hate doing that. (Laughing)
G: What?
M: She’s a sweetheart. She’s a (I). But, I had the most fun when we were in Chicago doing Jam. I had FUN with Jam.
G: Yeh, it looked like you were having fun.
M: Laughing
G: I liked the way, at the end, where you get down on the floor you were trying to arrange his feet.
M: Laughing
G: Laughing
M: Oh God. You didn’t see the making of Jam?
G: Uh Uh
M: It was so funny, because I was on the floor, right.
G: Uh Huh
M: And he put the basketball on my head and he was holding me down on the floor.
G: No! Laughing
M: Laughing…He’s so big compared to me.
G: cause you’re so small.
M: What?
G: Cause you’re so small.
M: I know. And it was so funny because we’re laying down on the floor in the video, the actual video..and uh..I was trying to make him move his feet. GOD..he was like so stiff.
G: Laughing
M: (IN DEEP VOICE) “Yeh, Yeh..That’s It Yeh”..yeh right.
G: Laughing
M: Hold on one second, please? Ok
G: OK

(CUT IN TAPE)

G: What else did Heavy D write.
M: Heavy D did, um, the tune with Janet (cut in tape)……..Cab Calloway..Yeh, had to be the overweight level…with guy.(he’s talking about Janet’s Alright Then released in 1990)
G: Was he in her video?
M: Yeh
G: with the one with Cab Calloway in it?
M: Yeh. (In Deep Voice, very cute) Heavy D the overweight Lovaaaaaa
G: Oh…I don’t remember that.
M: yeh. I like Heavy D..He’s sweet.
G: Huh!!
M: And he worked with Teddy Riley, you know, Teddy Riley, that guy. He said “First I cooled it like a fan. Got with Janet, then with Guy, then with Michael, cause it aint too hard for me to Jam” (lyrics from Jam)

(CUT IN TAPE)

M: I took them off for a minute, I waved to the girls in the balcony and I said “this is for the girls in the balcony” and I took them off and I put them back on. That was hard..I didn’t want to do it.

G: How, uh when did you start wearing glasses, sunglasses all the time?
M: I wear shades for years. You know, I wear shades because…like, like Mr. D said..and it’s true. Your eyes..when you show someone your eyes, you let them look thru your soul. I didn’t want anyone to look into my soul.
G: Coughing
M: Ya know..I didn’t want anybody to see that about me. And there’s a lot of pain and stuff and I’m very scared.
G: But, on the Dangerous album, it’s all of you. Laughing
M: (I)..You really don’t understand..Do you?
G: No I don’t.
M: Take a look at those eyes.
dxhcua.jpg
G: They’re beautiful eyes…(I) hiding from your face?
M: That was a mask/mat of tate/tape
G: What does that mean?
M: That was…it’s like.. if someone, it’s like. (long pause)..it’s like, you see someone’s eyes, or you draw a painting of those eyes. It’s like..Did you ever see me on the cover of BAD?
G: I…Are you asking me if I’ve seen the cover of BAD?
3166pnq.jpg
M: Yeh
G: Yeh
M: I had light contacts on and that was all airbrushed. When you see me on Dangerous, that’s all airbrushed. That’s some airbrushing.
G: Your eyes?
M: Yeh..I don’t look that perfect.
G: Laughing..um ok..Laughing..Don’t lie, I’m just (I).
M: It’s airbrushing.
G: Oh, Ok..Is there a reason you just showed your eyes and not the rest of your face?
M: Because I was suppose to be like a “vision into my soul”…looking into my soul.
G: Is that what it was?
M: It was airbrushed.
G: cool..ok..

(CUT IN TAPE )

M: To tell you honestly what Elizabeth and I talked about…She got so “F’d” up (I)[behind?] hurt and about being a child star…and I was so screwed up and whatever you want to call it [behind me?] I swear to you (I) cause I do hide
G: Long pause….You hide?
M: those look my eyes and stuff like that, but they are just airbrushed. When you see someone on the cover of a magazine. Like Vogue or Rolling Stones, or whatever you call it, it’s AIRBRUSHED..You want it to look perfect.
G: (I)
M: Well sure it does, of course. But, it’s like…If I was a top person, ya know, like “Jen Brad?? Jim Brett? Or somebody like that..Let’s say..You’re going to be on the cover of Rolling Stones (I) ..You look like (I). You would look perfect. No matter what you have wrong with you…That’s how it is in the business. You have to look perfect.
G: Well, you did look perfect on that one picture on the cover of Rolling Stone where you had your hands up and your head down.. That’s a great picture. I noticed you don’t look at the camera?
2cnwj8x.jpg
M: Cause I don’t want people to ….(.long quiet pause) …soul… I don’t want people to look thru my soul.. I say on the Dangerous album……
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 楼主| 发表于 2010-5-2 04:29:11 | 显示全部楼层
本帖最后由 alextoalex 于 2010-5-2 04:37 编辑

Glenda Transcript 2-2

(This part seems to be after Dangerous is released in 1991/early 92)

Michael: [That] I’m lonely and stuff. I say that on a lot of tunes.
Glenda: You say it in that um,– and I love that song,– Who Is It.
Michael: [Don't you know that I am lonely? I say that
Glenda: Yeah.
Michael: I say that in a lot of songs. I say it in, um, Will You Be There.
Glenda: You also say "don't be judging".
Michael: I say what?
Glenda: "Don't be judging" at the end of Who Is It.
Michael: Yeh, Don’t be, Don’t be, Don’t be judging..
Michael: You know I thought when I first started talking to you—there’s a real sense of close. “She’s not gonna be a dim wit”
Glenda: (laughs)
Michael: You know..And it’s like GOD, “she understands me. She hasn't been through what I been through. I mean, she has, but... She doesn't like gossip”. There is no judgment there.
Glenda: Well, I thought you were drawn to me because, um, you realized-- that I was very protective at first.
Michael: I was drawn to you because you were very accepting of me. You were accepting. And interest..intri
Glenda: What is that?
Michael: Interesting intri…
Glenda: intrigued?
Michael: Intriqued interest
Glenda: En... eccentric?
Michael: Interest
Glenda: What??
Michael: Intracentric
Glenda: I don't even know that word!
Michael: Nevermind then. You know, like I said. (“If you don’t have money, you’re called queer, If you have money, you're called ("eccentric" word again). If...
Glenda: (laughs)
Michael: And I thought, You know, you just accepted me no matter what.
Glenda: I did! And I do! I still do.

(CUT IN TAPE)

(This part seems to take place sometime during the Bad tour)

Michael: The other day, after my video came out,.. I don't know what happened. They kicked me out of the trailer with my own band and stuff. And I'm on tour and stuff. Travelling with my (I) people and stuff like that. And..--. “Who was that”?---ya know, it was like-- I don't associate with them. Only if there’s a rehearsal, or I have to be on stage. When we’re back in the hotel room. I don't associate, really, with those people.
Glenda: Not any of them?
Michael: No, I don't associate with them. I stay off to myself.
Glenda: Why? Isn’t there anybody you could be real close to?
Michael: No. I feel uncomfortable- It’s like… okay, this is my band, we got Michael here, we got so-and-so."
Glenda: (Started, interrupted by Michael)
Michael: We got Sheryl, we got, you know, Jennifer. And, I just don't associate with people.
Glenda: Do you, um? Okay. Maybe is it hard for you to (sigh) to be so open?
Michael: I just--
Glenda: In a way, In a way, and to be looking at someone in the face or having someone  look at you in the face cause you don’t want them to….cause
Michael: You know what, I don't want them to get close and I don’t want them to see in my soul. And then I deal with this anorexia thing, …I feel sad..
Glenda: Don't, Michael. You look really good. (Silence) You look really good.
Michael: (After a silence- very low, strained) I don't look good. I (I)
Glenda: (I)

(CUT IN TAPE)

(Sometime after Latoya posed for Playboy)

Michael: Joseph used to beat us all the time and... (inaudible)dance… would.... He would, he would just ..get to me. And I bought into that, he was like, "Oh you put on a few pounds." The only thing that I could control in my life, what with Motown... 'cause they tell you- in the interviews, when we used to go on Carson or Mike Douglas or whatever back then, when we used to do interviews as the Jackson Five, you know when you're in this kind of business they kinda like, they like…ok girl.... "Do you have a girlfriend?" "No." Do this… You know got, it’s like, they dictate to you everything. What you wear, what you sing. 'Cause back then we weren't allowed to sing our own stuff and do our own stuff. They dictate to you what you can wear... If you're on an interview, if you're going on Carson, "This is what you say, this is what don't say." The only control I had over my life was eating. I had no control. We had no control. *clears throat* I didn't, I didn't... I wasn't like my brothers. People, they're angry and they take it out on others. I was angry and hurt, and I took it out on myself. And being brought up with Joseph and stuff like that.. when we were rehearsing on 2300- where we used to live. It’s like, If I danced wrong, if I sang the wrong note, I'd get the hell beat out of me, I'd get thrown in the basement. So instead of taking that out on other people, I withdrew and I'd take it out on myself. There was nothing I could control in my life but my eating. And Joseph told me, "Oh, you're so black, oh you have such a big nose."
Glenda: He told you you were black?
Michael: Yes. When I was little. "You look so black, you don't look like my child. Your nose is so big" and this and that. They used to call me Big Nose and stuff. And instead of retaliating on them, I just did it with myself.
Glenda: Michael? Are you happy with your face?
Michael: Yeah. I'm happy with my face and stuff.
Glenda: Are you happy you did all that surgery?
Michael: Yeah. Because I don't wanna look like “(I)”[like that? Like him?]
Glenda: Well, you don’t? (laughs)
Michael: I mean, people tell me, “Oh, yeah, you’re really Janet”. Or “Oh, (low voice) before LaToya posed nude.” Sayin’ “Toya and you is the same person and stuff.”
Glenda: Who said that? (laughs)
Michael: Oh, god, it was in the media!
Glenda: That’s just bad.
Michael: Toya even wrote that in Playboy. She said, “Well, at least I can put the rumor to rest that Michael and I aren’t the same person.”
Glenda: (Laughs)
Michael: And showin’ her breasts and stuff like that. Then they say, “Janet and Michael are the same person.”
Glenda: (chuckle) That’s crazy.
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 楼主| 发表于 2010-5-2 04:30:08 | 显示全部楼层
本帖最后由 alextoalex 于 2010-5-2 04:39 编辑

Glenda Transcript 2-3

Michael’s 33 in this conversation so it’s sometime September 1991 -1992

G: You know that photograph with Janet that you brought over here, how old was she? Is that Janet and Randall and who’s that other lady? You probably don’t know which picture I’m talking about, huh?
M: Janet, Janet was real little. She was about, um, that was when Janet was on the Good Times show
G: Oh
M: Janet must have been… [I don’t know, how old she was, mother could probably tell] I don’t know
G: Is that Randy next to Janet?
M: Yea, with the gold jacket?
G: Yeah.
M: Yeah, that’s Randy.
G: okay and there’s another lady with them
M: (What other lady?) Glenda laughs. It’s was like… you know, girl, it was like… my brothers and (I)
G: All of them? [I guess they’re not as sensitive as you are]
M: Randy grew up in it because Randy, Randy’s been really through a lot, okay? And Randy grew up with Joseph telling him – ‘cause Randy was the youngest boy and you know I been performing since I was five and Randy had to stay home with the girls. Be with Rebbie, Latoya, Janet as a baby, and had to be with mother. Joseph always told Randy “you’re not good enough, you don’t have talent.”
G: He told him that?
M: Yeah
G: But he was so little!
M: Yeah. And then we y’know tried to bring Randy into the group and he felt like he was like, when Jermaine left, when Jermaine decided to stay with Motown and we went on to Epic and stuff – and Randy was always told he was a filler. I remember we did this show. It was called the Jacksons, The Jacksons Five or something like that Show. And I will never forget this. Randy was like nine years old. He was on the congos. This was his first appearance on television. So we had a live audience and stuff. It was on ABC. It was a live audience and stuff like that and we were doing, I don’t remember which number it was, but Randall was, he was on the congos and stuff. Joseph was like the tyrant.
G: and how old were you?
M: well, let’s see. Randy’s 30 now and I’m like 33.
G: So you were…
M:I was like 12. Then Joseph got on, “what the f**k happened to you?”
G: Really?
M: Yeah, like when I got close to Mr B and stuff (I’m guessing Berry Gordy) Mr B would kiss me and hug me and stuff like that. He’s like, “what’s up wid you, man?” You know he [Joseph] wouldn’t say anything to Mr B really, but Mr B would have gone off.
G: Tell him that he was (I)
M: Yes, Joseph never used to hug us! Mother did
G: what about that other child that he has?
M: silence, Jon Vonnie?
G: Yeah
M: Oh yeah, he doesn’t have any problem, he never had any problem showing– He hugged her and stuff, I never could understand that.
G: That is bizarre. That’s really bizarre
M: why is that, girl?
G: I don’t know!
M: Jackie, I mean, Jackie got it the worse because Jackie was the oldest boy, and Rebbie I think got it. And—
G: You mean “got it,” you mean like the beatings or?
M: yeah and sexual (static noise goes RIGHT up, cut in tape?)
G: What?
M: But Jackie was used to get it the worse
G: that’s terrible. But weren’t you kind of the spunky one? I mean, didn’t I read where you threw a shoe at his head or something?
M: yeah, I was the one who would fight back when I was little. He’d try to beat me and stuff like that. You know, if I sang the wrong – I didn’t do something right or I did the wrong dance step, you know the wrong move. And I would argue back and I would fight back.
G: And all of your big brothers just sit there and watch?
M: yeah, they were scared of him. And I threw a show at him and stuff.
G: laughs
M: and I’d run like HELL! And he couldn’t catch me, you know?
G: laughs
M: And then when I went to sleep and stuff ‘cause, we you know, we were (I)
G: (something bangs, muffling noises) Hold on, I was trying to take these jeans off and I dropped the phone, I’m sorry, laughs
M: (Can I get into them?)
G: laughs, No wait a minute,  I’m going to pick them up off the floor. Hold on, okay, go ahead.
M: Okay, My brothers used to say I was crazy. And I was little. And I would always fight Joseph back, and oh my god, I would get my ass beat. And then I used to run and I threw a show at him and run like hell.
G: laughs
M: and he knocked me down on the floor one time ‘cause we were rehearsing in our living room. I did somethin’ wrong. He knocked the MESS out of me. And we were supposed to perform somewhere the next day. And he knocked me down so hard, I lost the wind, I lost my wind, right? And I was just little
G: Mhm
M: so I got up, I was so serious. They talk about me being conceited now, you know?
G: Mhm.
M:  I got up and I was crying and stuff. And I said, “Joseph, if you hit me again. I’m not performing!”
G: laughs
M: he’s like, “what the f**k did you say?”
G: (gasps)
M: I’m like, “You hit me again, Joseph” – and I couldn’t, I wasn’t even nine years old,  I was probably just about seven. I said, Joseph if you hit me again and I was crying my eyes out, I said if you hit me again I am NOT performing.
G: sympathetic sigh
M: And he left me alone. I said I’m not doing the show! He said, “don’t you know I will kick your MF ass! And all this and that,” and I got up, the wind was knocked out of me. And I said, you hit me again and I won’t perform. And he knew I was the star performer. laughs
G: haha, yeah really!
M: and he didn’t hit me
G: well, you had some leverage there (laughs)
M: My brothers used to say, “Mike you crazy man, you crazy.” And then when I would go to sleep at night he would see that I was scared. He would be banging on our windows and stuff and open the windows like he was going to break in and stuff
G: That’s horrible, that’s an awful thing for-
M: You read about that in the book, you read it.
G: oh, Michael it’s been a while since I’ve read that book, I don’t remember everything.
M: He used to scare us when we was little. When we were asleep and we had to get up early in the mornings. We had to have rehearsals before we went to school. God, and he banged on the windows and we looked out the windows and he had a monster mask on (G gasps) and “Mother, mother, mother, there’s a monster!”
G: how horrible
M: and we’d get in trouble for crying
G: that’s awful. That’s really sick and twisted. I can’t even relate to somebody that does stuff like that. But it didn’t affect your brother’s the same way it did you, huh?
M:Welll… (silence)I seen my brothers, you know, when we were travelling and stuff and doing the circuit and all that. Joseph would be in another room messing with a girl and it was obvious they were having sex
M: I know… but I didn’t wanna tell mother, and Marlon and I didn’t wanna tell them but.. all my brothers kind of just… did the same thing, so, Joseph…
G: Are any of your brothers still married? Or isn’t everybody married right now?
M: well, they broke up but, Marlon and Carol have been, they’re trying to work it out. I admire Carol because Marlon was gonna divorce her but she still wanted to make it work
G: And Jermaine, what is he doing?
M: Oh GOD…
G: laughs
M: I remember, like I told you before, when Marlon and I had to share a room with Jermaine and Bill was asleep. Jermaine would have girls up there all the time screwing and stuff. I always (said I’d never ??) Marlon said the same thing. I felt so guilty when we used to home from the circuit and stuff before we made it, y’know we used to do the club circuits and stuff. I felt so guilty, and I just cried and Joseph choked me, almost broke my arm one day. But he was proud of it. It’s like, (joseph’s voice) “Oh, this is what you should do, boy.” I mean, he didn’t say that but he was screwin’ women in the other room and stuff.
G: What an awful thing to witness. From your father, your role model. (sighs) Especially doing stuff to your mom. What an awful thing.
M: Mother would say when we came home, she and the girls would be in there you know, waitin’ back at the house and all happy, joseph’s back!. Joseph would come home, so glad to see mother. It’d just make me sick. And then Jackie and everyone, they started doing that. I told this girl – Jackie saw her when we were on stage (I). I told this girl, I said, “Don’t go with Jackie.” He found out and he went backstage and stuff and I said, “Don’t go with him, please don’t go with him.” She’s like, “Why?” I said, “Please don’t go with him, he’s gonna hurt you.” So, she went. She met him. She was a virgin. And he had sex with her and stuff like that. And in the limo, we were in the limo. And they were gonna take this girl home. Like, I said, “Why did you do that? Why you didn’t just listen to me? Why did you do that? Why did you go with him?” And she was just crying. I said, “Did he hurt you?” and she said, “No. But he told me after we had sex that he never wanted to see me again.” I said, “why did you go with him? I told you backstage don’t go with him.”
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 楼主| 发表于 2010-5-2 04:30:58 | 显示全部楼层
本帖最后由 alextoalex 于 2010-5-2 04:47 编辑

Glenda Transcript 2-4

Sometime when he’s in Germany in June, 1992, during his Dangerous World Tour

G: So has your family not been together since Mothers day? (or: So does your family not get together today for fathers day?}
M: I don’t know, I don’t know
G: You just got that phone call and that was it?
M: I know mother–

AUDIO CUT

M: (in posh English accent) Would you like a spotted dick? (it’s an English dessert)
G: Sounds interesting, Laughing
M: I don’t think so.
G:Laughs
M: My commercial’s running now (Pepsi Dreams commercial I’m guessing)
G: What commercial?
M: (i) [Dreams?]
G: Is it?
M: Yeah
G: I haven’t seen it, is it here?
M: Oh no, you won’t see it in the states.
G:Why?
M:Laughing
G:Laughs Why?
M:Would you (I)
G: Yes
M: (I) I’m not really that important/ involved at this stage except for the fact that I was y’know in it/did it. It almost means nothing now. I hear: {M: I’m not really that important (I) fact. I’m not really looking forward to going to the states , except for the fact; that I was, ya know, on stage. Cause when I’m on stage, nothing matters.}
G:No I guess not. But that’s your decision, isn’t it?
M:Well, yknow (I). There’s not very many black people here
G:No?
M: No.
G: You know the German women really like black men.
M: Yeah so do the women over in at (I)
G: Is it?
M: Yeah. Black men aren’t really allowed to be there really. They don’t appreciate black men
G: laughing
M: Yeah but their women like the black men though, laughs
G: laughing
M:(I) And it snowed here, flying over (I) So green and so brilliant and beautiful.
G: Sounds lovely!
M: I get so (I)
G Really?
M: I guess I have a lot more (I)
G: I guess
M: Yeah
G: So how long will you be there?
M: Well until the 25th is the schedule
G: Hold on. Ok?
M: (I)today, then after that I’m gonna be in Cologne July 11th… still there?
G: uh huh
M: Cologne till July 11th
G: uh huh
M: Gonna be in Frankfurt on August 28th
G: okay
M: gonna be in Stuttgart on the 7th
G: Is it S T U G
M: S T U
G: G?
No, S T U T T G A R T Stuttgart and that will be on August 30th, (I’m skipping my birthday). Then I will be in Berlin on September 6th. Then I will be in GE — GE—-
G: Laughing Go on
M: Let me spell it. G E L S T no I’m sorry G E L S E N
G:Oh wait a minute here we go, G E L S E N
M: K I R C H E N (Gelsenkirchen is a city in Germany, but he didn’t play there) September 6th
G: okay
M: That’s what I’ve got for now
G: Okay. That’s what you’ve got for now. Good that sounds exciting for you
M: So that’s my schedule.
G:You sound so wonderful. You sound better than I’ve ever heard you.
M: (Giggles) I’m not, well, you know this is how [I really am ask my brothers???]
G: I guess
M: and I’ve got the Hese—hesevonsin–
G: laughing
M:Hese- it’s a hospital
G: What’s it called?
M:It’s called Hesuit-Hersuits H E R Z then the next letter is J E S U Khron- Khronosinhouse hospital K R A N K E N H A U S (the German word for hospital is Krankenhaus which is what I think he’s trying to spell out! I googled and found a Herz Jesu hospital, maybe that was what he was talking about?)
G: Good grief, that’s a hospital? laughing
M: Yes
G: laughing Okay
G:What do you do? Do you visit children there?
M: Yea. Yea I’m going to
G: Well, they showed you on MTV, they showed you on (Monday?)
M: When was this? The other day?
G: oh yeah it was when I was with Lynette
M: Oh really? You saw it?
G: Yeah you cut your hair
M: Oh I trimmed it. I trimmed it a little.
G: Anyway, You look swell
M: What?
G: You look swell.
M: Oh thank you
G: Laughing
M: (I)I know about (I)
G:Why?
M: (I)concerts, you know a lot of stuff and then (I)
G: I’m sure you’ll be perfect. You’ve put a lot into this, It’s gonna be perfect
M:Yeah I know but it always takes a little time [to do? Get into?]
G: There’s a part when you, there’s a part in Jam, when you, um, I think it’s when you catch the ball-
Michael: Don’t tell me…
Glenda: (Laughs) What?
Michael: I look like Janet.
Glenda: Nooo! (laughs)
Michael: Oh.
Glenda: I was gonna say you just like, you have a very vulnerable look on your face. (laughing)
Michael: When I catch the ball?
Glenda: Yeah.
Michael: And I’m smilin’, right?
Glenda: No, not really. No, you’re not really smiling. No, you don’t look like you’re smiling, you look king of lost. Really lost.

I think she’s talking about:


Michael: Okay, it’s not the frame that I was thinking of.
Glenda: No. It’s towards the beginning.
Michael: Oh, yeah. You mean when I was with Michael and- I look confused or something?
Glenda: When somebody throws you the ball and you catch it, you just have a real off look on your face.
Michael: Did you like the video?
Glenda: Yeah. I do like the video, I like it a lot.
Michael: I remember when you called me (I), excited.
Glenda: Yeah?
Michael: Yeah.
Glenda: Do you talk to a lot of people on the phone?
Michael: No, why?
Glenda: I was just wondering.
Michael: Why would you ask that?
Glenda: I just wondered if you did. (Laughs) Oh, I read, um, I got a magazine to read on the plane. I bought Us magazine, and there was a couple of poems in there, I guess from your book, and there was a picture of you with a veil over your face.
2v7uqso.jpg
Michael: Uhuh?
Glenda: It was the poem, um- one of the poems was the Ryan White-
Michael: Oooh, the Ryan White poem??

Michael’s Ryan White poem:

Ryan White, symbol of justice
Or child of innocence, messenger of love
Where are you now, where have you gone?

Ryan White, I miss your sunny days
We carelessly frolicked in extended plays

I miss you, Ryan White
I miss your smile, innocent and bright
I miss your glory, I miss your light

Ryan White, symbol of contradiction
Child of Irony, or child of fiction?

I think of your shattered life
Of your struggle, of your strife

While ladies dance in the moonlit night
Champage parties on charted cruises
I see your wasted form, your ghostly sight
I feel your festering wounds, your battered bruises

Ryan White, symbol of agony and pain
Of ignorant fear gone insane
In a hysterical society
With free-floating anxiety
And feigned piety

I miss you, Ryan White
You showed us how to stand and fight
In the rain you were the cloudburst joy
The sparkle of hope in every girl and boy

In the depths of your anguished sorrow
Was the dream of another tomorrow


Glenda: Yeah. And then there was another one but I don’t remember. About a baby looking at his mother’s face or something. I was really very taken with the Ryan White one.
Michael: Oh, they got a really, really a lot of nice drawings that I do. Some nice photographs and stuff.
Glenda: And there’s a couple of pictures, besides the picture of you with a veil over your face, there’s a picture of you standing with your black jeans and your redshirt and your hat. And then there’s a picture of-
Michael: There’s pictures of paintings that I did, too?
Glenda: Oh. Well, not in this magazine that I got.
Michael: Oh.
Glenda: I was talking about US magazine. And there’s a picture of you sitting. Just sitting. Yeah. It’s fun ‘cause it’s (i)??- it’s nice. It’s a nice picture.
M: Well, I hope you like the book
G: I’m sure I will
M: That’s what I was going to give (I)
G: Oh? That would be nice
G: Yeah they asked about you.
M: [Asked what?]
G: Yea. Scooter said to me, when I got back, “Did you see Michael on television?” (laughing)
and I said “Yea”.

(CUT IN TAPE)

M: This is what I wrote describing music. “People ask me how I make music. I tell them I just step into it. It’s like stepping into a river and joining the flow. Every moment in the river has it’s song. So I stay in the moment and listen.”
Glenda: “In the moment” what?
Michael: “I stay in the moment and listen.”
Glenda: Oh, I see. Oh, that’s beautiful, Michael. When did you do all of this?
Michael: [I wrote this poem over at, I just collected, I’ve been doing a lot. I’ve been writing poems for always. I got something for you that I wrote] (I)
Glenda: Yeah, that would be very nice
Michael: Yeah. (i). It says (Inaudible something style?) I love you, it says a lot.
Glenda: It does?
Michael: Yeah, it does.
Glenda: When did you write it?
Michael: I wrote this about- Oh! Guess what?
Glenda: What?
Michael: Guess what I got. (chocolate butterscotch!! Mmm).
Glenda: (gasps loudly) Did you really??
Michael: Yeah, I did!
Glenda: [Do you like it?] (laughs)
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 楼主| 发表于 2010-5-2 04:50:21 | 显示全部楼层
Glenda Transcript 2-5

Jacksons: An American Dream is coming up so I assume this conversation is sometime in the fall, 1992

M: I listen to what you say.
Glenda: Oh.
Michael: [something something and advise?]
Glenda: Oh my god! (laughs)
Michael: Yes, I do that
Glenda: Huh?
Michael: I do that, I pay attention. More so than you think I do.
Glenda: Really?
Michael: Mhm.
Glenda: Oh. (laughs)
Michael: I do that (I) Oh, you wanna go get your tape?}
Glenda: (laughing) I’ve got it right here
Michael: You got it? Really?
Glenda: ‘Kay, wait a minute, hold on.
Michael: (i) [got something to tell you] (laughing) It’s gross (laughing) I don’t want to tell you.
Glenda: What is it NOW? What is this- oh, is it something to do with the hospital?
Michael: Nooo. It’s something to do with Bill.
Glenda: With Bill?
Michael: And Randy. Randall and Kathy, God. Well, Randy already knows, because he had a huge problem with Bill before. It’s gross, I don’t want to tell you (laughing)
Glenda: Oh, come on! What is this? Okay, this is Bill Bray right?
Michael: Yeah, Bill!
1607fb7.jpg
Glenda: Okay. What did he do, what’s he doing?
Michael: Everytime, everytime he gets up…
Glenda: (laughing) Come on, man, it can’t be that gross!
Michael: It happens everytime. Everytime, this has been going on for years. (laugh)
Glenda: (laugh) Really?
Michael: (i) stay in the room. ).
Glenda: I heard: Glenda: Is he in the room?
Michael: Oh, he’s getting ready to get in the shower. Everytime, everytime even when we were little kids. Bill, I tell you how he snores he (makes a loud snoring noise).
Glenda: I know you, told me! (laugh)
Michael: Everytime, everytime, girl, the first thing he does…(laughing)
Glenda: Oh no! What?
Michael: (still laughing)
Glenda and Michael: (both laugh)
Glenda: Come on! What does he do?
Michael: He’ll wake up, go bursting outta bed, and he farts real loud! (laughing)
Glenda: (gasps) Are you serious?
Michael: (laughing) Yes.
Glenda: Why?
Michael: He’s been doing this for years. I don’t know. I said, “You better check this, I think there’s something wrong with you, Bill.”
Glenda: (laughing)
Michael: But when he opens his eyes, he’ll stretch and he’ll wake up. “Michael, you awake?” “Yeah, I been, man…”
Glenda: That’s the worst, Michael!
Michael: (laughing)
Glenda: Oh my god, what a turn off. How do you stand it?
Michael: (laughing- just so you know, even if this isn’t really him, it’s a DARN CUTE laugh)
Glenda: (laughing with him)
Michael: He’s always had that problem.
Glenda: (laugh) I hope it’s just in the morning!
Michael: Yeah.
Glenda: It’s not like an all-day thing…
Michael: (laugh- SO CUTE) Nooo…
Michael and Glenda: (still laughing…)
Glenda: So funny!
Michael: And we used to tease him when we were little boys and stuff like that. We used to share a room with him, me and Marlon. First thing he did in the morning, he farted reeaal loud. Oh god we were like, “Clear the room, clear the room!”
Glenda: (laughs)
Michael: He STILL does it. I haven’t been on tour with him for a long time. We like, “Oh my gooood, Bill!”
Glenda: How funny! Oh my god.
Michael: It’s gross
That IS gross, that’s the worst.
Michael: I know when he’s awake, every time I’d be playing asleep. “Michael? Joker, joker are you awake? Hey, joker?” I go (loud fart noise)] (Joker was Bill Bray’s nickname for Michael).
Glenda and Michael: (laughter)
Glenda: That is funny.
Michael: My god, he trying to kill me
Glenda: That’s very funny. (laugh) Well, I guess when you’re in close quarters with somebody like that…
Michael: You got to be LOUD and stuff?
Glenda and Michael: (laugh)
Glenda: Yeah…
Michael: (i) [gas now, it's gas, yeah yeah].
Glenda: (laugh)
Michael:  (I)
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 楼主| 发表于 2010-5-2 04:51:05 | 显示全部楼层
**********Assuming this was cut, too. Doesn’t fit will Bill’s gaseous problems.***********

Glenda: Hold on a second. No, I really can’t Michael. I can’t understand.
Michael: It’s just like, I’m being totally open.
G: I guess that’s when you’re the most comfortable

M: Yes, I would like to die on stage. (I) The most (I) because I can be no matter who I am, I can still jam, I can be (I), just do dance, just pour out my heart. God.
Glenda: (giggle) Yeah.
Michael: You know this special’s coming up pretty soon.
Glenda: which one?
Michael: The Jackson special (talking about the Jacksons: An American Dream produced by Jermaine, aired November 15, 1992)
Glenda: Oh, really??
Michael: Yeah…
Glenda: When’s it gonna come on?
Michael: It’s coming on in the fall.
Glenda: Yeah? Well I’m going to watch that for sure
Michael: Yeah, the little boy’s such a good entertainer. But for me to have to sit there and watch it while everyone is there, I don’t know, it’s just going to bring back all these memories
G:I’m sure it will
M: I’m really (scared?) and God what if I (I)
G: I know the feeling
M: The things and the people that touch your lives(I)..Which is sad, cause of course they’re not going to tell everything
G: No.

(CUT IN TAPE)

M: Latoya’s saying all this and that, Latoya upsetting you
G: I tell you Latoya and I went around and around
M: laughing
Glenda: God, I remember that and she said what do you want and I said, well what do you want? We want back and forth and then finally she said she told me what she said, she said “I want it to end” and I said, “Well, you’re not gonna get that, Latoya.” Funny, she wanted to meet us, she wanted us to meet-
Michael: I know! Her and her…
Glenda: (laugh)
Michael:….hit man, hit man boyfriend.
Glenda: Yeah. (laugh)
Michael: I was going to say nigger

(CUT IN TAPE)

Glenda: Oh we have lovely memories as well. I love the memory I have with Janet. I remember one day I was walking down to go to home. It was after five, it was all gray and, like, rainy (i) He said, “Glenda, Jan is on the line.” And I got on the phone and she says, “Glenda, you gotta do this, you gotta play this joke on Michael.”
Michael: (inaudible, laughter)
Glenda: I go, “What? I dunno if I should do this, you know, he might freak out or something.” “No, you gotta do this, you gotta play this joke on him.” That was fun.
Michael: (laughing) I remember. I got you real good too girl.. with that whip.. sour cream and stuff. That was the night I was going to come over there and we had the kids screaming
Glenda: Everybody was screaming!
Michael: Your husband was screaming! You, I said well, (in low voice) “I, I can’t make it tonight, I’m really tired.” And he got off (her jacket?) and started (I)Glenda: (laugh)
Michael: And I said “HIKE” and then they couldn’t even tell I was throwing them. It was so funny.
Glenda: Oh, I shoulda known you were doing that.
Michael: Oh, you were so pissed!
Glenda: Yes, I was! (i) [gone through?] a lotta trouble.
Michael: You were mad. You were madder than that woman that had a nappy natural couldn’t pick it out with a comb – you were so mad!
Glenda: (laugh) Or when you called me and told me that you were gonna get married. I thought that I had given you all the wrong advice, I thought, “Oh my god!”
Michael and Glenda: (Loud laughter)
Michael: I forgot all about that!
Glenda: “What did I saaay?! I didn’t mean to!” Yeah, we done a lot in this short period of time, haven’t we?
Michael: Yeah. That was funny now that I think about it, at the time,

(TAPE CUT)

Glenda: And you both cried at the end.
Michael: And you- What?
Glenda: You both cried at the end of it
Michael: Yeah. I didn’t wanna watch, I told you it was gonna be like that
Glenda: Yeah. Why does it make you cry?
Michael: ‘Cause it’s just so (i). We just be crying [when(I)? was going away, then they crying] and when she saw him, oh god! Like Jackie said, I be crying in commercials and stuff. (i) [don’t ask me I just wanted to (I)] When I die, you know, [I know I'm gonna see all that, I know I’m gonna see (grandmother again?)]
Glenda: I hope so.
Michael: Yeah. Just like you know (i)[ a feeling]
Glenda: I don’t think about stuff like that
Michael: (i)
Glenda: It gets me very upset and I don’t wanna talk about that
Michael: Oh, I’m not gonna skip now, I got a show to do here, girl.
Glenda: Yeah, you do. Must you go now?
Michael: What?
Glenda: Must you go now?
Michael: Must I go?
Glenda: Yeah.
Michael: No. Are you going now?
Glenda: No.
Michael: (begins to talk, but Glenda laughs) What?
Glenda: Oh, that little bit where you (i).
Michael: I gotta get my hair done.
Glenda: Yeah, you must have a lot of things to do.
Michael: Yeah, I’m gonna get my hair trimmed a little too. ‘Cause, you know, the more you trim it, the better it grows.(I) We got another sound check today with, um, the band and stuff. Oh, they set up everything and it’s great. (sighs) And god, just, girl, you just don’t know, just being up there on that stage… You know, I’m really lonely, and…
Glenda: Are you still?
Michael: (singing bits of Will You Be There).” I get lonely sometimes, will you be there, Will you still care, will you be there?”
Glenda: You still get lonely? Really?
Michael: I never stop, I’ll be having a great time, I never, I just, it’s like a total makeover on stage. I never show ‘em all, [No matter (I) for me] ’cause they don’t know what you’re sayin’.
Glenda: (laughs)
Michael: And that’s why it’s gonna be kinda fun to get to the the states [ ‘even if they don’t understand what you’re saying]
Glenda: I heard that Russia wants you to come and do a show.
Michael: Yeah. [Oh they’ll get ]more than that. But it’s like, all these people are [born??](I) and stuff like that. Once you get to America, people know what you’re saying. It’s so weird that you do shows overseas, they, they, they respect it in a different way. (It’s so weird that you do shows overseas, they, they, are receptive in a different way.)
Glenda: They are?
Michael: Yeah, it’s like–

*********Break. Very static-y, and very difficult to understand..******** **

M: the night before what?
G: you were gonna be
Michael: You’ve gotta talk louder
G: remember the night two nights before you were gonna make your announcement on that radio station
M: oh yeah
G: remember?
M: I remember
G: [I’m glad?] we talked for four hours, laughs. At that time, you didn’t really wanna tour again.
Michael: No, no. I’m gonna be so euphoric after this show.
(can’t make out anything here)
G:Why?
M: Because (I)[heart and soul?] (I)
G and M laughing
G: you can hear it anyway I heard:
M: Yeah really? Well that’s just bad (I) we’re gonna we’re gonna have to (I) a lotta–
Break, static

(CUT IN TAPE)

G: it was good?
Michael: The outfits are amazing. They are great.}
Glenda: Yes, I read about them. (laugh)
Michael: oh you did? (I)
Glenda: Yeah. I bet. They weigh enough
Michael: It’s gonna be so hot under those lights. it’s gonna be like (i) [I’ll be having a baby on that stage, you know?]
M:Taking [Valeroots?], I gotta take [valeroots? thing]
G: what’s [valeroots word?]
M: valeroot’s is something for your throat, like if you speak a lot or if you sing or something like that, they soothe your throat, they cool your vocal chords
G: Oh I never heard of it
M: Yea, they taste nasty, I don’t like the way they taste. But im just (I)
G: so nice (I) it must be nice to have somebody that you really [inaudible, wanna take good care of??] (So nice. It’s great…It must be nice to have somebody that you can talk to that cares.)
M: Oh, well, it’s the best. I always feel so lonely—
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 楼主| 发表于 2010-5-2 04:51:58 | 显示全部楼层
Glenda Transcript 3-1

He’s 32 here so this is sometime between September 1990-September 1991

Conversation between Sam and Michael

M- If you don’t know . I don’t know.
S- Well.you know what you gotta go and find out.
M- I can’t afford to mess up
S- Really? you can’t afford to not to, take a chance…?… Yes you can. I mean you can’t be completely totally alone. …..I think that when you’re totally ready …?…Who’s hurt you the most in your life?
M- Excuse me?
S- Who’s hurt you the most?
M- People that I…(I) they hurt me?….
*S- Who’s hurt you the most?
M- [Lots of people.  (I)
S- She didn’t mean to, though?
M: (I)
S: Really?
M- When she started making a game out of it and [she knew that (I) called me….and asked me to the Oscars (I can’t hear this part)…and tried to…]
S- Who else? What about you manager guys?
M- Excuse me?
S- What about your, who’s your manager’s name?
M- Who?
S- The one that really hurt you…his name’s Frank or something.
M- Who, Tate?
S- No, your manager, your manager, your
M- Frank Dileo?
S- Yeah.
M- That was different. That was a business relationship.
S- Was that just like uh, he didn’t hurt you, he just uh, you just had a parting of the ways?
M- He tried to get too controlling.
S- That was just, uh, that was just business.
M- I don’t remember…?…(mumbles)
S- Mike, trust me. You can trust me. Who else has hurt you? You don’t have that many people with you.
M- What difference does it make?
S- Well, I hope I’m not one of them.
M-(I)
S- Well you have
M- (i)
S- Well, you are. Maybe you should die.
M- Maybe I should die?
S- In the media
M- What?
S- Maybe you should die in the media?
M- (Laughs uncomfortably) Naw.
S- Imitates being an announcer “(See or the)…?…Michael Jackson.” (Then they’ll knock themselves out on TV getting you to die in a video.) Imitates being an announcer again [Then came the surprising times of M & Tate. Michael Jackson’s ex.. hidden behind the curtain for filming??]
M- It’s going to be the British.
S- I’m going to run you out of this city.
M- Why?
S- Cuz I’m mean Jackson.
M- For real?
S- I’m going to run you out of this city Jackson.
M- Say what?
S-I said I’m going to run you out of this city if you outlive me.
M- You’re not gonna outlive me.
S- Hey, I’m 33. You’re 32.
M- …?….(I)
S- Huh? What?
M- Sometimes it’s hard for me to get close to people. What would it have been like if I wasn’t Michael Jackson…?…Would there…(I)?….Joseph…?…But you know that I’m not gonna hurt you ….. You know I would never hurt you. You know, you know that, right?
S- Yeah I know
M- But you know that I wouldn’t hurt you.
S-…?…(I)
M- Yes, but you know that…it’s just a game.
S- ? would I (I)
M- ? it’s just a game.
S- Oh, in the media?
M- As far as being, um
S- As far as having a relationships? Is the baby moving?
M- Laughs uncomfortably. I haven’t. No, [we’re careful, there’s no babies].Don’t you know better, don’t you know that, no matter what, that I don’t want, I don’t want to do anything to hurt you all? I
S- We know that.
M- No, I’m serious. You don’t understand. No matter what. I don’t.
S- I know you don’t. And everything’s good. You’ve always been good to me and I think you’re waking up. If I ever thought that you’d, uh, was being other than, you know, just you know just genuine, we wouldn’t have the relationship with you. I have no doubts about that.
M- About, that I don’t want to hurt you all?
S- Yeah. never been, never been an issue.
M- But no matter what, I mean, nothing, I don’t want to hurt you people.
S- (Have you even been in this kind of relationships?)
M- …No, this is the real thing??…
S- …individuals you were with?
M- Its real messy and they’re mean.
S- How about people outside the business?
M- At the same time, it’s hard. It’s hard to be friends with someone who’s not in the business because they don’t see, they don’t, they don’t understand, different…?…and so
S- I have a lot of empathy for you.
M- No.
S- Yes I do. I, Uh, I would think that, uh, after talking to you I had the strongest feeling yesterday that the fact that you are who you are and, uh, that you have to put up this front and there’s plenty of people pulling you in so many directions. It’s uh, you have to smile when the cameras are on and, uh, it’s very lonely. You’ve said it yourself so many times. It’s lonely–
M- It’s pretend. It’s like the 2300, like the video, like the mini-series, like growing up um with Motown and they tell you, they prep you. Like living with Diane (he calls her Diane here, not Diana). They tell you what to say, what not to say. The lies I had to tell. Um. Diana. Diana discovered the Jacksons. That wasn’t true. She did not discover us. But it’s publicity. It’s pretend.
S- Who discovered you really?
M- Bobby Taylor and we went to a party and, uh, Gladys Knight. Diana, Diane had nothin’ to do with it.
S- I guess she was just the big name at the time huh?
M- And then I was supposed to be a certain age. Well, I, Okay, like, when I first came out, I had to lie about my age, but
S- How come?
M- Because it’s publicity. You don’t understand.
S- How old were you? How old were you and how old did you say you were?
M- I said I was 10 and I was 11.
S- How come that would make a difference?
M- Think about it. Think about it because (squeals in high voice) Oh! Oh he’s only 10 years old!
S-Imitates same squeal They say, oh oh you’re only –
M- No, you have to lie about things. You have to cover up. You have to act like all that stuff that happened with, with Joseph and stuff. It’s like we’re supposed to be the perfect family, you know, because they putting your name out there and stuff and, uh, they’re supposed to you know, look good because it sells records and it attracts people. And the stories, well, they used to come out with when we were little. There was this one story, some magazine. I think it was “16” magazine back then. I was 13. and they lying and they have all these really  weird kinda stories like Michael made this handicapped girl walk again because she saved Chester the cat. There was no Chester the cat. It was just lies. It was just
S-they make you lie?
M- It sells, you know?
S- It sells records?
M- “Oh look what a fantastic person he is. You saved this girl’s life. She almost got run over by a lawn mower and she walked.” and
S- …like that dying little black boy?…
M- Pardon?
S- …?…that dying little black kid. Is it true how much of a the little dying black boy…dying child …dying
kid…?…comes to get you, (I) Michael Jackson, famous kid.
M- It’s like, “the Jackson family, they’re so wholesome and we all took pictures together back in the Jackson 5 days with Motown and stuff like that. We were all so close and Joseph was, you know, Papa Joe”. You know. And then LaToya told the truth (LaToya’s book was published in ’91 revealed the extent of the abuse and she made statement in the media revealing the sexual abuse that occurred in the family). They portray everything you know, because of publicity. “The Jackson family. They lived in a ghetto in Gary, Indiana and they made it and they’re so tight knit.” Tight knit , my ass.
S- Laughs. Well, some of your family’s pretty tight knit though? Your brothers are pretty tight knit? No?
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 楼主| 发表于 2010-5-2 04:52:53 | 显示全部楼层
Glenda Transcript 3-2

Michael and Sam

I’m going to presume these conversations take place around LaToya’s book release, November/December 1991


M- I’m torn between Mother and LaToya.
S- That must be hard on you.
M- When you’re brought up. We used to play at the club circuits and stuff like that, you know, with all the black groups and it’s like, you’re brought up and then we finally went with Motown and stuff. You’re brought up. You’re taught to be a certain way because you’re in the public eye. The close knit, the close knit family, the tight knit family, whatever, and “Papa Joe this” and “Papa Joe was wonderful” and “Papa Joe helped do this and that”. When things start falling apart, then you gotta cover for it, you know, because you’re out there and you gotta cover for it. I would come home. We would come home from sessions and if we didn’t do something right, we’d get beat with a sock full of wet sand because it didn’t leave bruises. We’d go to the studios the next day and, and, you know, people in the business, people in the Motown family, they knew what was going on. I mean if you did something wrong and Joseph was there, he’d slap the mess out of us. They knew what was going on but it was like, you have to portray this certain image. You have to smile and everything. And everything like “y’all so tight”. “The Jackson family came from poverty, you know, from being nobody” and (I)
S- ?
M- Joseph is dangerous.
S- ??…Joseph isn’t dangerous..(I)
M- Pardon?
S- Not to you
M- I can’t hear you.
S- I said he’s not dangerous to you.
M- He’s not dangerous to me?
S- ?(Not unless you let him?)
M- Why don’t you just not talk to me anymore? Why don’t you just. Honestly, why don’t you just. Why don’t y’all just not talk to me…
S-? Everytime you tell me something about Joseph, you, uh,….
M- I said, no matter what, no matter what you think, no matter what you believe, I would never, never never do anything intentionally to hurt you and your family. No matter what, I swear.
S- We know that. You don’t have to keep saying that. We know Joe J. hurt you.
M- I deal with all kinds of other stuff(?)
S- When are you going to talk? (I hear: like what?) Who are you scared of? You know that I would never harm you Jackson? (I)
M- (i) You be fading.
S- I’m not fading. You’re the one that fades.
M- You be fading too.
S- You know I’d never hurt you, don’t you know that?
M- You mean like physically or?
S- I mean physically, mentally, sexually (and nobody’s going to hurt you either). You know that, don’t you? Don’t you?
M- I really don’t know that. I know you would never physically hurt me if you were. I know that. I know that.
S- You should know that I ain’t going to hurt you mentally either.
Break.
M- You love her and she loves you.
S- You know sometimes we (get? Forgive?) each other It’s..and when we get back together ..we’ll see. It takes time. It’s unlikely but.
M- But aren’t you afraid of getting close to her?
S- No, I never get,.it’s a different situation. You have a lot more to be frightened about. You have a lot more to lose. You’re. I think that you’re. I think that you’ve been hurt by a lot of people…You’ve kind of created this (nightmare thing?)….You’ve created… some, you don’t know who to trust, who to believe
M- But you ask so many questions.
S- ?
M- You swear?
S- Yes.
M- (I) Do you swear on, um. Do you swear. Do you swear. I mean, do you swear you’ll tell me the truth?
S- Yes.
M- No matter what?
S- Yes.
M- Honest, no matter what? And if I swear to you that, if I swear to you that, um. Hold on one second. (Talks to someone else – “Tell them I’ll be right there.) Hello. Do you swear, if I swear to you that I won’t disappear and I won’t change my number and go away no matter what? If I swear that to you on on Mother’s life, if I swear to you that, um. This is so hard for me (to think about?).
S- Jackson?
M- If I swear to you before this (I)…If I swear to you that I won’t disappear or no matter what, on Mother’s life, that you’ll tell me.
S- Yeah.
M- Do you?
S- Tell you what?
M- What?
S- If you swear on your Mother’s life?
M- If I swear on Mother’s life, if I swear
S- That you won’t change your number.
M- That I won’t disappear on you, no way, then you will swear you’ll tell me?
S- Yes. The truth.
M- What do you want from me back?
S- Nothing…
M- First of all, before you say that I’d like to say that I swear to you that I’m not going to go away and disappear and go away and disappear and stuff and change my number, although we are going to change it. Sorry, hold on. Okay.
S- Yea. (I)

M: Like you said

S: (Jackson , everyone hurts you?)
M- ?
Break.
S- (I) She lives off the Gold/Gulf? coast.
M- Oh, for real?
S- Yeah.
M- When did you find that out?
S- Last Wednesday. I was playing there one day and they said that sounds like (I) that’s Janet Jackson’s house with her boyfriend
M- ?
S- Yep. I’ve seen her house. She has a beautiful house on the coast…She has a beautiful home. It’s a beautiful house/coast. [Flats?], beautiful home, I’ve seen it from the Country Club. I played with the, uh, the Gene LePar, they showed me the property. Yea, try and see if she’ll give you the number…I’ll really call her and we’ll see if (I) I love talking to her, yea, I really love talking to her..We had a real wonderful time ,we laughed…talk to her about it, it’d be (I)….
M- Pardon me?
S- …(I)?..
M- You don’t like Randy?.
S- No, I never liked Randy. Too, uh, he’s too hard and too obnoxious. He’s too, um, he’s too angry. Angry…if you have a need to be angry, fine, that’s one thing. If you got no business being angry (on the street). I like Janet. She’s…
M- Latoya’s a witch.
S- Latoya’s crazy, a crazy person. I don’t have anything against her. She has a sweet voice. She’s a beautiful girl. Real beautiful girl

M: Yeah she’s pretty

S:…on the outside, maybe on the outside..
M- Janet’s real natural. Toya’s got-

S: Oh yeah, definitely

M: Toya’s got too much of a weave in her hair.
S- ..Well you know (that’s typical?). Toya’s a pretty girl. Janet’s has. Janet just oozes with personality.
M- I have a crisis.
S- About what?
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 楼主| 发表于 2010-5-2 04:55:09 | 显示全部楼层
Glenda Transcript 3-3

Father’s Day is the third Sunday in June but I can’t figure out which year this is 1990 or 1991? Can’t be 1992 because he was on tour and if he’s hanging out with Randy/Kathy/his dogs he can’t be touring but he does mention getting up onstage? Maybe Superbowl IDK

Glenda: Hello! You’re in rare form!
Michael: (chuckle)
Glenda: What have you been doin’ all day?
Michael: Nothin’, rehearsin’ and stuff. My father called and asked me for half a million dollars (laugh).
Glenda: What??
Michael: (laugh) Hooo (laugh).
Glenda: What??
Michael: Yeah.
Glenda: Are you serious??
Michael: And on Father’s Day.
Glenda: (laugh)
Michael: Joseph called me-
Glenda: Huh?
Michael: Joseph called me with this sob story, and he said “I been tryin’ to get a hold of you for three weeks.”
Glenda: (gasp)
Michael: I’m like, “Yeah, well what do you want?” And he’s like, “Your number’s changed.” I said, “Yeah. Anyway, what do you want?” (The way he said that, by the way, was funny.) ‘Cause he had to go through, he had to go through four different people to get a hold of me. So I said, “Okay. Fine.” Put his call through.” He wanted to borrow half a million dollars. I’m like, “Oh. Why are you in debt- What did you do now? Why are you in debt this time, Joseph?”
Glenda: (gasps)
Michael: You know, he played this crap on me about (imitating Joseph’s voice), “Oh, well, you know, you my son, you know.”
Glenda: (laughs)
Michael: Like, yeah. (Joe’s voice again) “Aww, you know, I pay it back and, you know, we can come up with a contract.”
Glenda: Has he done this before?
Michael: Yeah! All the time. And you know, when his business, when he had Joe Jackson Productions. He was real good in the beginning, back, you know, with us, when we were little, but… he’s not a very good businessman.
Glenda: Well, what does he do now, though, since (I – managing your sisters?)
Michael: He does what he does. Well, you know, it’s like, he wanted to borrow money before and then he had to go through Mother to get it. [He would go on forever] you know.
Glenda: (i). But I don’t remember when [whispers inaudible]
Michael: And then… they want me to give Joseph money and stuff like that. So I say, “Okay, well I’m not gonna give it to Joseph. I’ll give it Mother, so he doesn’t just throw all the money away and stuff like that, she’s in charge of it.” So now he called me again. “I been tryin’ to get a hold of you for three weeks and this and that.” Blah blah llaaalllaa, whatever. (i). He always in debt.
Glenda: Oh my god. On Father’s Day?
Michael: Yeah.
Glenda: How appropriate!
Michael: Yeah.
Glenda: (laughs) And what did you tell him?
Michael: I tell him, “I don’t know,” I said, “I’ll think about. I’ll get back to you.”
Glenda: Are you gonna do it?
Michael: No, I’m not gonna do it!
Glenda: Ungrateful chiiiild! (laughs)
Michael: I know…
Glenda: (laughs)
Michael: He like (Joe’s voice again), “If it weren’t for me, you wouldn’t be where you are today.” And stuff.
Glenda: Is that what he says?? Did he say that today?
Michael: Hell yeah, he says that to me.
Glenda: (laugh) Oh my god!
Michael: He’d always tell us that. When we were little. “Well, you know, if it wasn’t for me, you wouldn’t be where you are. If it wasn’t for me, you wouldn’t be Michael Jackson superstar” and stuff, you know. And I told him before, ’cause we got into a big fight, I says, “That’s halfway true.” I said, “But you know what I said, I grew up in this business and I learned a lot. You had a lot to do with it in the beginning and I thank you for that, but I can’t pay you back for the rest of my life.” I said, “I know the business.” You know, I told him before, I said, ” I know the business better than you do.” And I said, “You can’t keep throwing that in my face.” I said, “Because it took you to get me started.” I said, “But then after that, I was my own business man.” ‘Cause he was screwin’ up deals right and left.
Glenda: What was the last thing [that you got involved in with] him, was it the Victory Tour?
Michael: Well, yeah, that’s one of the last things he dabbled in, he screwed it up. I said, “Don’t use Don King.” And all this and that. (Joe’s voice)” Oh, but Don, well, you know, he’s a good businessman.” I said, “No, he’s not, he’s a crook.”
Glenda: (i) [That was a funny one? Tell us the funny part?]
Michael: He can suck my socks.
Glenda: (laughs) I love that one part where he made this speech about bringing him back and everything. (i)
Michael: Say what?
Glenda: You know that thing that he said, that thing and he was going on and on about- [and I was like]will you shut up?
Michael: Yeah.
Glenda: (i) shut up. (laughs) That was so funny!
Michael: That was funny, yeah.
Glenda: Uh huh. That was funny.

(CUT TAPE)

Glenda: and she gave us um, she gave us some fragrance, some . The boys came and put the video game in (i) PTA, golf, something, real extravagant. It’s very well put together, you know, didn’t expect (i). It’s funny because they have all the sound effects of birds in the trees and crickets, and (i) keep the golf ball landing in the [street/tree]. It’s fun, I mean.
Michael: Yeah.
Glenda: They love it. (i). That was fun. (Pause). So you just rehearse today and (i)? [had an argument with your dad?)
Michael: I been real busy with rehearsal.
Glenda: [Are you excited/ready] to get up on that stage now?
Michael: Yep!
Glenda: (laughs)
Michael: Gotta get it togetha. Or leave it alone.
Glenda: “Get it togetha or leave it alone”?
Michael: If you don’t want my lovin’, I’ll be gone.
Glenda: Is that a song?
Michael: Yeah, it is.
Glenda: Which song?
Michael: Get It Together.
Glenda: Is it one of your songs?
Michael: Yeah. It’s one that, god it’s either  with the Jackson Five, or The Jacksons.
Glenda: I don’t remember that.
Michael: Get it togetha! Or leave it alone. If you don’t want my lovin’, I’ll be gone.
Glenda: No, I never heard that.
Michael: (chuckle) I have to make you a tape later.
Glenda: (laughs) I guess there’s a lot of songs I just don’t know.
Michael: Yeah. (high voice) Hi, Shadowww! (noises to the dog, laugh).
Michael: (i).
Glenda: (laughs) I was wonderin’,”What is UP?” That’s a quiet dog. That’s the quietest dog-I’ve ever
Michael: I know she never barked yet.
Glenda: Not yet?
Michael: Girl, when it comes dinner time [if I'm not home and somebody feeds her, they say], “Shadow! Sasha! Time to eat!” Sasha barks (barking noises), she get all excited right?
Glenda: Uh huh.
Michael: Shadow, she just be silent, she does not make a sound. She runs, she jumps up and down, runs around in a circle, and she gets real excited and wants me to pet her.
Glenda: She’s not the only one! (laughs)
Michael: (laughs) I know, huh?
Glenda: What put you in such a crazy mood?
Michael: Excuse me?
Glenda: What put you in such a crazy mood?
Michael: Oh god, a number of things.
Glenda: Huh? A number of things?
Michael: Yeah.
Glenda: Good things?
Michael: You know, Kathy’s, she’s so crazy.
Glenda: Why?
Michael: We were talkin’ and I was dyin’. Oh my god.
Glenda: Dyin’?
Michael: What?
Glenda: Dyin’?
Michael: Yeah. It was so-
Glenda: Like “dyin’”, funny, or-
Michael: Yeah.
Glenda: Oh, you were laughing.
Michael: Yeah.
Glenda: Oh, okay.
Michel: Do you really wanna know?
Glenda: Yeah!
Michael: (laughing)
Glenda: Tell me, what!
Michael: (laughing) First of all, I’m having a wine cooler.
Glenda: (gasps)
Michael: (inaudible- Today is Kathy’s birthday.)
Glenda: Oh. Yeah?
Michael: Yeah.
Glenda: Ohh.
Michael: And, girl. I don’t know how we got on the subject… God I do not remember (I, laughing) We were talking about… white guys.
Glenda: White guys?
Michael: Yeah (laugh)
Glenda: Why?
Michael: I was talking with Kathy, cause she’s a nurse. Oh, because Randy the other day was calling Kathy prejudice and stuff like that and she’s like I’m not prejudice, I like white people. “I have a preference, I would never sleep with a white man.” And we were talking about that. (laughing)
Glenda: Really?
Michael: (laugh) She goes (laugh)
Glenda: Oh no…
Michael: She like, “No, I would never sleep with a white man because their penises are just too pink” or too red or something.
Glenda: (gasps)
Michael: And their veins show! (laughing)
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 楼主| 发表于 2010-5-2 04:55:40 | 显示全部楼层
Glenda: Oh my god!
Michael: (laughing)
Glenda: Oh!
Michael: She like, “No, I wouldn’t mind, you know, doin’ stuff with a white man because I’m not prejudice, I like white people” and stuff “But ooh, god, I could never I could never lay down with a white man!”
Glenda: She said that?
Michael: Because their penis is all pink and its all red, you know. She gotta these old men, you know, that sometimes she gotta put catheters on them and stuff like that.
Glenda: Ugh!
Michael: She’s like, “(i) oh when the white man’s old. His penis shrinks up and you gotta jerk it up” and (i) find it and stuff! (laugh)
Glenda: Oh my god.
Michael: Like, “Black men aren’t like that.” You know? “Even when they’re old, their penis don’t shrink up that little. And they’re not all red and wrinkled.”
Glenda: Ewwww.
Michael: (laugh) I like, “Oh my God.”
Glenda: (i).
Michael: (She said, “I like them thick”) And she’s like, “I just can’t be making love with a white man. There’s no red or pink stuff inside me!” (laughs)
Glenda: Oh, gross! That’s what she said?
Michael: Yeah.
Glenda: Eww.
Michael: “But I’m not prejudice, it’s just my preference.” (i).
Glenda: What will you do for her birthday?
Michael: Well, I guess her and Randy are supposed to get together. Not sure. She said she’s 25, I said, “Yeah, you’re 25 like I’m 18.
Glenda: (laughs)
Michael: Yeah right. She’s 30.
Glenda: She is?
Michael: Yeah, ’cause Randy’s 30, so she’s right behind him.
Glenda:[ Well I’m way past that zone?]
Michael:  (i) You’re 45.
Glenda: Uh uh.
Michael:  46.
Glenda: No.
Michael: ….47.
Glenda: (laughs)
Michael: Don’t you lie to me and say you 30!
Glenda: (laughs)
Michael: 44.
Glenda: Yeah.
Michael: Now, wait a minute, that means… (Sam?) is 33… and you’re 44…(i)
Glenda: (laughs)
Michael: (i)
Glenda: (laughing) Yeah, this is (i). This is (i) I’m Just about ready for my walker. I’m an old lady.
Michael: (i).
Glenda: I don’t know. Well, I don’t feel that age, but then I think, well what is that age supposed to feel like anyway?
Michael: Well, you know, like I always say, “If you don’t know how old you are, [how old would you like to be?]“
Glenda: (i). I feel very young right now.
Michael: Well you look it on the outside.
Glenda: Oh?
Michael: Oh, yeah, I think you’re very pretty.
Glenda: Why, thank you.
Michael: (Pause) Yeah, you always have a glow on your face. Even that picture that I have with you and, uh, all the kids, and you were in a red sweatsuit when you were in that red fitness suit.
Glenda: Yeah?
Michael: Yes, and you had long hair.
Glenda: Yeah. You have a picture of me when I was, when I was still, uh, when I was still .
Michael: I got lots of pictures of you!
Glenda: Yeah.
Michael: (i). Every time I saw you, all the pictures that I have of you, you always look [somewhat young?].

(CUT TAPE)

Glenda: Because I was (i) before you were. (laugh)
Michael: (Inaudible- “Justin”?)
Glenda: Huh?
Michael: (i). [Justin?]
Glenda: Oh. You know his hair is so long and it’s such a beautiful color of red. It’s the longest I’ve ever seen it. Kinda like that Christian Slater guy.
Michael: I remember… when I was-

(CUT TAPE)

Michael:  [Remember and all the boys bigger than me?]
G: Don’t remember that
M: (Yeah, but he’s still younger than me, but bigger.)
G: I remember the very first time I ever saw you. You don’t remember that (i). You asked me how old you were.
M: In the olden days?
G: (laughs) Yeah, remember the olden days. . (both laugh) Yeah, we’re old. And you asked me how old you were. And I said something like “you were (I). Do you remember that? laughing
Michael: [No].
Glenda: (laughs)
Michael: (i) Tell me (i) How did you come on the phone?
Glenda:  You asked to talk to me. You [called me and asked me to pick up the phone to your mother?]
Michael: Yeah. And what happened? What did I say?
Glenda: You said, “Hi. (i)” Can’t believe I’m talking to him. I thought, “he’s so polite.” Oh laughs, didn’t know what to say and sounded like I had cotton in my throat.

(CUT TAPE)

Michael: (laugh)
Glenda: Couldn’t believe it. And then, I don’t know, after that you guys were on the phone a lot. Once in a great while I would get on the phone. One time you called, and I think you were in a sound studio or something (I). Then there was a period of time that we didn’t speak and then we got that mailagram one day.
Michael: Yeah, ’cause I left/lost the number.
Glenda: And so I called you-

(CUT TAPE)

Glenda: (i) I still have that (i) mailgram
Michael: Ooh.
Glenda: From 1985? Yeah.
Michael: Wow!
Glenda: Yeah! And the two letters that you wrote for the [Pocorabel? Cocorabel? Sounds like](i).
Michael: (laugh)
Glenda: But, um… then (i)that went on for a while, and then one time you were supposed to come and get it [this pochorabel word](i) but you didn’t show up. And you were so crushed that you couldn’t (i). And then there’s after that I don’t know phonecalls were less(i) I guess you got busy.
Michael: Yes, I got busy with the Thriller thing.
Glenda: (i) I thought you were getting ready to do the Bad tour.
Michael: Bad?
Glenda: ‘Cause this was after Thriller, wasn’t it? This was after Thriller.
Michael: That was about the time-
Glenda: Wasn’t Thriller 1983?
Michael: ’83, ’84.
Glenda: This was in ’85, ’86. So I thought maybe it was the touring. But I remember, one of the last calls (i)I was in the living room, you called and you asked what I thought of Janet’s video
Michael: (i).
Glenda: Janet’s video. I guess she had just come out with a new video you saw and you got on the phone and you….and that’s when our conversation ended after that and it just stopped. And then it was just a pleasant memory..
Michael: (chuckle)
Glenda: (i), right?
Michael: (singing) “MEMORIES”…….
Glenda: Uh huh. (i). Yeah, Then you called in November

(CUT TAPE)

Michael: And then one time I called you, and you said, “…..Who is this??”
Glenda: I wasn’t like that! I-
Michael: Yes, you were!
Glenda: I don’t-
Michael: Girl, you were a mother hen
Glenda: I don’t talk that way on the phone.
Michael: Oh, yeah.
Glenda: The phone makes you sound funny-
Michael: You gave me the third degree and-
Glenda: I wanted to make sure nobody was messin’ around with me!
Michael: I’m like, “Uh, uh, uhm.” I said, “I used to talk to you(i) And I lost the number and (i).” And then I said, “I’ll tell you about the poem you wrote. (i). Yeah, you wrote me this poem called Blue (i) about the sky being so blue (i).” (laughs)
Glenda: I just didn’t want anybody messing around with (i). ‘Cause that was a real, that was a highlight in my life(i) and I didn’t want anybody mess around with that. (i). Then two weeks later, you [call me at 10:30 at night (i)], you were all upset that I had done that!
Michael: Yeah (chuckles).
Glenda: Why?
Michael: I don’t know…
Glenda: You were cryin’ and everything.
Michael: I was crying?
Glenda: Yeah. Or you were sniffling. I figured you were crying.
Michael: Don’t you feel that sometimes you get someplace (i), difficult. (i). I mean, that’s not what happened to me (i) In the beginning
Glenda: (After a silence) [I can't hear you.] Can you hear me now?
Michael: (i) You stay sometimes and you get like..inaudible
Glenda: (i) I was analyzing today why, um…
Michael: (mumble)
Glenda: I was analyzing my Mother’s Day (chuckles). I was thinking, you know, um, she was a, kind of a moody type person and her moods would… I guess this is how I learned to handle her real carefully. Because her mood could change so drastically and I would’ve done something wrong. But I didn’t know what I’d done.
Michael: Yeah.
Glenda: So she would play this game like, “If you don’t know what you’ve done unless I tell you.” I hate that, I can’t stand, ’cause… I may not know what I had done, you know, but then… she would tell tell me what I’d done, but she would get angrier with me because I didn’t know what I had done.
MichaeL: She would get (i)?
Glenda: Angry at me.
Michael: Oh.
Glenda: Because I didn’t know what I had done and I was just stare her, I would just look at her without emotion because she was getting angry… and getting in my face, and I was thinking, “I am not going to let you know how much you are upsetting  me right now.” So, “I’m not going to show you an emotion, I’m not going to show you what you’re doing to me, [I'm not gonna cry].” And so after she would leave, and then I would go in my room and close the door and then I would have a reaction. I was trying to analyze why I don’t react. And I think that’s the reason, because I learned a long time ago- Don’t. Show. Reaction.
Michael: Don’t show emotions and don’t show feelings.
Glenda: Right. Don’t let that person see your reaction. Don’t let that person see your emotions, see what they’re doing to you…
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 楼主| 发表于 2010-5-2 04:56:30 | 显示全部楼层
Glenda Transcript 4-1

Date: Sometime June-July 1992, Dangerous World Tour

M: (I) I’ve got another call going through
G: Oh Great
M: Hold on just a minute
G: Ok
(He’s back on the phone with Glenda now)
M: Hello
G: Hello
M: Hi
G: Hi. What are you doing?
M: I just got out of the shower..cause I’m tired, cause I was up early. I got up at 4:30
G: I thought you got up at 4:30 every morning
M: No. Sometimes I get up at 5:00
G: Laughing..Oh..Laughing..OK
M: I was awake earlier..I got out of bed at 4:30. I’ve been up listening to the radio.
G: What kind of music are they playing?
M: Well, I listen to the (I)
G: Oh Really?
M: Yeh
G: They play pretty good music?
M: Well, a little..It’s old
G: Laughing
M: (I) and they talk about I have that show…
G: Tonight?
M: Yeh
G: Oh

(cut in tape)

THIS CONVERSATION IS JULY 11, 1992

G: Let me turn the radio down.
M: What?
G: I said “I got to turn the radio down..I couldn’t hear you. So what day is it there?
M: Saturday!!
G: It’s Saturday…Oh yeh, that’s right..it’s Saturday..the 11th.ok.That’s right..you do have a show. Laughing
M: Yeh I do!!
G: Laughing
M: God..This day is going to go by so slow.
G: No it isn’t..It will be tonight before you know it.
M: I’ve got to make an appearance today..
G: What..Where?
M: At a childrens Hospital..(I) Pediatrics..I was going to give away (I) for this family (I)
G: That’s lovely
M: So I was deciding..I was deciding what (I) I was going to wear for the appearance
G: Oh. Did you decide?
M: Uh uh
G: Do you pick your own clothes?
M: yep
G: You do?
M: uh huh
M: I think I’ll wear black and gold.
G: That always sounds nice. You love black, huh?
M: Yes

(Cut in tape – sometime between 12th -14th July, still in Cologne)

M: Hello..How ya doing?
G: Fine…It’s been a while huh? Laughing . Cause usually it’s been ages since I’ve talked to you last. Laughing.
M: Yeah
G: (Glenda’s callwaiting BEEPS).. Hold on…(She’s back)..No, he just called to tell me he was spending the night with Richard.
M: (Michael is teasing Glenda acting like her son that called was making up the story about spending the night with Richard. Michael is insuating that the son and Richard probably were fibbing)..So Michael says: (I) God..That (I) good..Let’s call and tell her that! (I) If she calls ya, cover for me..
G: Laughing. But, Richard might be with him..Laughing..No..I don’t believe that..I believe that he’s spending the night. Really!
M: Ya Do?
G: Uh Huh
M: yea..He is..He’s a good kid.
G: He is ya know!
M: I know he is.
G: He’s kinda Wacky…He’s working at our Factory.
M: Is He?
G: Yeh
M: Ahhhhhh
G: yeh. I went out to lunch with him today..had lunch
M: you sound really far away
G: Sorry! So do you! Could it be because you are.
M: (I)
G: Laughing..So have you had an exciting week?
M: yeh
G: You been going a lot of place and doing a lot of stuff?
M: Yeh. …Of course, I visited the children (I)..and we went to this ..um…it’s called a Chinese Pond.
G: Oh Yeh?
M: And you take little baby pigs in the mud because they do..(I)
G: Oh NO
M: It was fun.
G: There’s nothing cuter than a BABY PIG!!
M: I’m gonna get one.
G: …with his little tale……Oh, How darling!
M: I’m gonna get a Pot Belly.
G: Oh I love baby pigs…I just love them.
M: Do You?
G: Oh, I do..They are the cutest things in the world. How bout you?
M: (I) absolutely
G: What’s cuter than a baby pig?..I mean they’re so sweet..their little butts and their little tales and those faces..
M: Laughing..Would you like to have a baby pig?
G: I’d love a baby pig
M: Really? A Pot Belly?
G: Laughing
M: (I)
G: Ummm..I think they’ve been having a lot of aftershocks in Big Bear/Bend???? But, I haven’t felt any. (talking about the June 28th 1992 California earthquake)
M: (I)
G: Yeah
M: (I)
G: Do You? I can’t wait! What are they?
M:They are surprises.
G: Oh NO
M: Say it!
G: What?
M: SURPRISES…(Glenda must say the surprises wrong and he want’s to hear how she says it)
G: SURPRISES…Laughing…Alright..Yeh..I like s’prises
M: We’ve been doing a lot. (I)…..Didn’t I tell you about that?.
G: I don’t think so.
M: We went on a balloon ride..
G: aahhhhh
M: It’s beautiful up..
G: Is it? You’re in Cologne now Right?
M: Yep
G: Huh?
M: Yes
G: Is it nice there? Is it any different?
M: Yeh
G: (Glenda’s callwaiting beeping again. BEEP.)..You know who’s phone I’m on ..HOLD ON..
Glenda and Michael are back on now..
M: Maybe
G: What?
M: What?
G: Laughing What?
M: Laughing
G: Umm. Who were you talking to?
M:I was talking to someone across the street
G: Oh..That must have been (I)..I love your telephone..I should have known better..You know what?
M: What?
G: It is SOOOOO Wonderful in this room that you slept in. I took the
M: I would call it my room.
G:: You didn’t want me to…I thought you didn’t want me too…ok..Your Room ..There’s such a beautiful breeze in here right now.
M: Isn’t it nice?
G: It really is nice. I took out the ..part of the window..You know..in the front; that big window? I took out that pane…The big pane..
M: Really?
G: I took out the window..and the screen is there. But, the window. There’s only..Ya cut it in half..Half is the window and the other half is the screen. So, I’ve got this WONDEFUL breeze coming in and it feels great.
M: Are you in my bed?
G: Of course. Laughing I’ve been sleeping here
M: I love that room
G: Huh?
M: I love that room.
G: You know what? I love it too. I never realized how much I love it.
M: oh yeh
G: I’ve been sleeping in it all week.
M: Really? I like it I love it. And I think the bed is real comfortable.
G: Yes it’s got….They both have really nice mattresses.
M: Yeh, they do.
G: There’s just something peaceful about this room.
M: Yeh
G: Yeh,, I prefer it to my own.
M: Do you? I like yours.. .I like your bed..But, I don’t like my bed. My mattress is too noisy
G: Yes..It is! Laughing.. Hey Michael? It’s soooo mundane compared to what you have..I mean you have so many beautiful things. I can’t believe you like something so ordinary?
M: (I)…….I wrote something for ya!
G: Did ya? Can I hear it? (Glenda thinks Michael would say No)..so she says “NO”, Huh?
M: You can hear it. Let me get it upstairs. But, I don’t want you to take this the wrong way..Ok?
G: Oh GOD
M: No..It’s not BAD. But, I don’t want to seem like a typical nigger. It’s not like I’m coming on to ya or anything…
G: Alright.
M: It’s just…Well, you’ll understand.
G: Ok
M: Let me go get it ok? Because I’m in the other room and I..
G: OK
M: It’s simple.
G: Alright

(CUT IN TAPE) (Talks about London so maybe August 20-25th 1992)

G: Sure! What did you say?
M: I went back to London the other day.
G: Oh you did? Do you go over there often?
M: London is like…..um (depending on where you are in Germany)…like an hour and a half away.
G: How Nice! I always wanted to go to London. Do you like it? Is it very clean?
M: (I)
G: Just working!
M: (I)
G: Yeh, aahhh

(CUT TAPE)

M: I’m sure it’s (I)
G: It is! Laughing
M: I’m sure (I)
G: It’s a beautiful evening..I love this
M: Excuse Me?
G: I said “This is a beautiful evening. I love this kind of evening.
M: Is it dark over there?
G: Yeh..It’s dark..and it’s a lovely breeze..It has been miserable. You know..it’s been really hot. And it’s been real hard to sleep at night and it’s really nice tonight.
M: Don’t ya’ll not turn on the air..
G: No
M: You don’t?
G: Uh uh..Never did. We have air conditioning in the living room and there’s, an air conditioner unit in the bedroom..the other bedroom. (clears throat) So we never had to turn on the air
M: (I)
G: Ya do? Laughing
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 楼主| 发表于 2010-5-2 04:57:37 | 显示全部楼层
Glenda Transcript 4-2

Date: Summer/Fall 1992, during the DWT

G: I’m gonna sell it probably in January.
M: What?
G: I’m gonna put it on the market in January
M: You are?
G: Uh Huh
M: Why?
G: Because (in a sad voice) (I)
M: You don’t have to do that!
G: Well, why not? (chuckling)
M: (I)

(CUT IN TAPE)

G: When I first came out here, I lived at Wilshire..no..I lived on 6th street..2 blocks from Wilshire. I lived on the bus line and I use to take the bus every morning down (cut in tape). And I lived in an apartment called Yorshur.
M: Yorshur? YORKSHIRE?
G: (laughing)..that’s what I called it when I first came out here. Hold on..Hold on a second..I think I’m getting a cold. Anyway..Are you there?
M: Yes.
G: Then, I lived there for awhile and I met these 2 girls at a boutique.. Diane and Chris. And I lived on Rollo street, which was further down on Wilshire and then at (I) Apartment Complex.
M: Wilshire District?
G: Yeh. And then, after that, I moved into Hollywood. I lived at Lexington and Vine in back of the Brookmoor Hotel. It was a really funny place..It had a lot of history. They had this old….this real old guy..this old retired actor that use to play in Horror films and stuff and he turned into a real recluse…and he was uh, a real cat person. There was like 50 cats that lived in that place. I lived there for about 6 months..Then I moved to N. Hollywood….I lived on Gow…I lived in the foothills on Gower street.
M: I’ve heard of that.
G: And then I lived…then I moved to North Hollywood on ?Poton? Avenue . And then from there..I went to South Africa. I moved to a lot of places..I hated Hollywood. Oh, I thought that was the worst place to live.
M: Yeh, vicious
G: Yeh!
M: yeh it is.
G: Melrose Avenue!! Laughing…We lived across the street from the Hollywood Ranch Market, if you could imagine.
M: Yeh, that is..
G: What a trip..Laughing.. Characters like Gav!
M: Laughing
G: It was funny. It was real funny. I met a lot of strange people. I guess the most fun was when I first met(I)….he was writing film and he was at Studio City and he gets really (I) out there all the time….to Jim/Jenn
M: Yeh,, Really (I)
G: Yeh
M: (I) me. (I think Michael was saying KISS ME, LIKED ME– Hell it could be any of those..knowing Michael.) LOL
G: She did? Isn’t he dead now? I think he died..I think I read something that he died..They use to come out there all the time.(I)
M : (I) really (I)
G: Yeh? I’m one of those name droppers
M: Both G and M laughing.
G: How you doing?
M: (I)
G: You feel real good?
M: Yeh..(I) really working my Ass..He’s been pushing me all week. Running around (I) closure..
G: Are you eating?
M: Yeh! I have to eat..I got a show to do tonight. Of course, I’ll probably lose a couple of pounds on stage..I’m trying to keep my weight at a certain place.. I’m starting to eat a lot of proteins and stuff…rice and beans and (I).
G: Uh Huh..Do you eat Pasta?
M: Well…It depends on the (I)
G: ewww
M: It’s good though…So, I probably drop a couple of pounds at least.
G: How long was your show?
M: A couple of hours. Did I tell you (I) went to church?
G: Yeh!!

(THIS IS A NEW CONVERSATION/TIME/DAY)

G: …and then what they really wanted you to…they were trying to get you to……….I was reading…..
M: (I)
G: Sorry?
M: I’m under negotiation..
G: I was reading about that mural that they are going to do of you at the….um…some building….a warehouse..over at the (I)..close the the (I) Chinese Theatre.
M: Oh, yeh..that…(I) unveiling
G: You’re bailing?
M: Unveiling!
G: Unveil….Laughing…I thought you said you were Bailing..Laughing…Al l right…If you want to bail..Laughing..
M: Let me get (I)
G: Ok
M: (I) (very hard to hear)… (I)…new girl..(I) cute and stuff
G: She is?
M: (I)
G: Say what?
M: She’s cute and stuff and her name is Jennifer (I)….kind of a weird speech and (I)
G: Yeh?
M: (I)
G: Everything must be so different, huh?
M: Oh they have this one mouthwash…I don’t know the name of it. (I)The AIDs virus.
G: Laughing
M: (I) girl had an abscess…It had me crying!
G: NO?
M: Yes!
G: Was it worst than Listerine?
M: Oh, I HATE Listerine.
G: Laughing
M: No this stuff…was ..minty..it stinks..(I)
G: Laughing… You know what I still have of yours..is your plaque! It’s still here.
M: Oh really?
G: Yeh!
M: (I)
G: You didn’t? Did you really?
M: (I) should know! (I) find out what the best thing better than Listerine?(I) starting on Thanksgiving. I go to doctors and I like..…do you know what I like to do?
G: Uh Uh
M: (I)
G: Laughing..oh probably.
M: When people get close…when I get close or something..I like to watch (I)
G: aaahhhhhh (acting shocked)
M: It’s called ….tine….It attacks everything.
G: Oh My God..(acting shocked)
M: (I)It’s so cool to watch
G: For you baby…laughing
M: I love to watch (I)that you know cough up and stuff
G: Oh My God.
M: Laughing
G: Oh, no more!
M: She was (I)…millions of them..And they were like crawling on top of each another.
G: aahhhhh (Shocked)..You and Scooter should get together. She would love this kind of talk. She was telling me today about her Barium Enema that she (laughing) had yesterday.
M: Oh God!
G: (laughing)..It was the worst.
M: What did she say?
G: (laughing)…She just goes into detail. I just want to be SICK..(I)….I’m (I) pathetic…Now God woman…You know I have such a vivid imagination..And she’s heavy. You know..She’s a real fat woman and I can just imagine this. And it just grosses me out…laughing…She drinks this..She’s suppose to (I) do an upper GI every hour. You drink this stuff
M: Yea
G: ..this chalky stuff
M: Yea
G: Then she was telling me how they layed her on her side (laughing) and (I) barium enema (laughing). And she said “they CLEANED me all out”
M: Laughing
G: (I) Huh?
M: Everything but the taps came out.
G: Laughing…I said “please don’t say anymore.”. She’s tickled at me. She thinks I’m kidding, but I’m not. I’m just on the verge of running to the woman’s bathroom. She’s very sweet, but very graphic. She loves to really get into it..She would love this
M: (I)
G: Huh?
M: (I)
G: Uh Huh…
M: I Love (I)…United States and everything (I)under the microscope…..and got curious (I)..it’s interesting (I) it’s all on your body and stuff! Did I tell you about Jess/Ess/Jeff?
G: NO!
M: Ess/Jess/Jeff (cut in tape)…….I told my friend…I told this girl..I told my friend about what Jess/Jeff did. She cleans her house all the time now, cause she doesn’t want dust to get in.
G: Dust is nasty?
M: Yeh… (I)..dusty….even going to the bathroom (I)
G: No!
M: Yeh it is!
G: I don’t believe you.
M: yes it is..It’s a medical fact. Ask your doctor.
G: You’re full of it!
M; I swear..Ask your doctor.
G: Laughing..
M: It’s something ya’ll kinda like and that creates dust (I)
G: Oh YOU ARE NUTS!
M: Girl, I’m not. Ask a doctor!
G: Laughing. I don’t believe you.
M: I swear to you. I swear on Mothers Life..I wouldn’t lie. ..It Is!
G: Poor Mother! Laughing…She’s died a thousand deaths by now.. laughing
M: laughing. I swear to you. That’s what it is..
G: Laughing. NO!
M: Yes it is..I swear…I would not lie.
G: Oh ya’ll
M: It is I swear.
G: laughing . Oh NO!
M: I promise..Ask your doctor.
G: You’re going to promise me?
M: I swear
G: Laughing
M: That’s what it is…
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 楼主| 发表于 2010-5-2 04:58:08 | 显示全部楼层
CUT IN TAPE OR DRASTICALLY CHANGES CONVERSATIONS

G: I’m reading the most horrible book.
M: What cha reading?
G: It’s real bad
M: Polter….?
G: No..I’ve already read that one. I read…I don’t read anything unless it’s true. It’s gotta be true.
M: What is it?
G: This is called “Early Grave”. And it’s about, um, this man and woman that kill…I guess she kills…She killed 2 or 3 people…2 or 3 girls. She would pick up young girls and then she would kill them. This one..she would did, um, she injected her with draino and liquid plumber.
M: EWWW
G: You know..and she injected her in her neck. She was only 13 yrs old.
M: Is that right?
G: ..she was only 13
M: The lady was trying to kill her?
G: Yes..And that didn’t kill her, so she ended up just shooting her in the back. And she (I). This woman is so horrible.
M: It’s a true story?
G: Yeh..And she is so cold and calculating. This happened back in um…well, she was on trial in 83..So I guess it must have been..
M: Who was the woman?
G: Judith Neely and Alvin Neely is her husband..But, what a sick person..a real sick woman.
M: really!
G: And she met her husband when they were um, when she was only about 16 and um, she got pregnant and she gave birth to twins. And she actually…when she went around and committed these atrocities, these babies were with her. I mean they were sleeping in the backseat. You know..they just like drifted around from town to town and they did like petty theft and armed robberies and stuff like that to get money..this was around Alabama and Georgia that this all happened. I had heard about it. I had heard about this couple that had taken this 13 yr old girl and kept her for several days and injected her with Liquid Plumber and Draino..I didn’t really know the whole story behind it..And then they picked up another..They picked up a couple. It was a guy and a girl. And this girl, as it turned out, was mentally retarded. But, they didn’t know that. I guess this boy (I) didn’t know that either she was simple. They ended up shooting him and leaving him for dead, but he lived. But, they killed her. But she, um….. I didn’t understand..I didn’t know why either ..Well..she was married and she would have these babies, she would have these twin babies..But, she was like a lesbian, I guess..Because she wanted to get these young girls for herself and sharing them with her husband..I don’t know..I thought you were either one way or another.
M: No..(I) girls
G: He seemed to accept (laughing) the situation
M: (I) open their legs (I)
G: I guess! Must have been..Cause she wanted him to, ya know, have sex with these girl. And she would have sex with them herself. And I thought…God
M: That’s a little strange!
G: Huh?

(BEEP—Must be callwaiting)

M: When did you get..When did you start reading it?
G: Oh, Um, I got it about 4 days ago.
M: Can I read it?
G: Sure!
M: (I) good book!
G: Yeh..It is good..Right now..I read where she’s been..she’s in prison and she’s writing letters to her husband.. He, um. They couldn’t get him for any of the murders, cause he never seemed to be on the scene when she was committing the murders. But, they got him for rape and the robberies and stuff like that..She was a big woman..She was like 6 foot and big boned
M: (I)
G: Huh?
M: (I) petite
G: Yeh. And he was a big fat slobbery thing
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